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Editorial Reviews
Review
"Baer is, without question, a writer of great talent and promise."_-Denver Post -- Denver Post
"Baer writes like an addict rediscovering the dark, bloody depths and coke-jangled heights of the language- these pages hurt._- Kirkus -- Kirkus Reviews
"Baer's language is hip, spare, brutal- sometimes gorgeous."_-Publishers Weekly -- Publisher's Weekly
"Baer's writing has an undeniable force- it is sordid and entrancing, hallucinatory and yet given to brutal realism"_- The Times -- The Times (London)
"Baer writes like an addict rediscovering the dark, bloody depths and coke-jangled heights of the language- these pages hurt._- Kirkus -- Kirkus Reviews
"Baer's language is hip, spare, brutal- sometimes gorgeous."_-Publishers Weekly -- Publisher's Weekly
"Baer's writing has an undeniable force- it is sordid and entrancing, hallucinatory and yet given to brutal realism"_- The Times -- The Times (London)
Review
Praise for Will Christopher Baer:
“An over-the-top Grande Guignol thriller that breaks every rule of fine literature without ever once descending to the lowest denominator….Baer’s sarcasm and occasional (and believable) flashes of humanity keep the depraved goings-on from descending to the cold sadism of a Jack Womack or Burroughs.”
— Kirkus Reviews
“[Baer] assimilates the high diction and sonorous descriptions of Cormac McCarthy with the testosterone-pumped, grimly ironic and often murderously funny Gen X novels of Dave Eggers, Chuck Palahniuk and William T. Vollmann.”
— Nashville Scene
“Baer writes noir like there’s no tomorrow, which is fitting, because it’s something of a shock his sexed-up and/or strung-out characters survive another day.”
— Memphis Flyer
“An over-the-top Grande Guignol thriller that breaks every rule of fine literature without ever once descending to the lowest denominator….Baer’s sarcasm and occasional (and believable) flashes of humanity keep the depraved goings-on from descending to the cold sadism of a Jack Womack or Burroughs.”
— Kirkus Reviews
“[Baer] assimilates the high diction and sonorous descriptions of Cormac McCarthy with the testosterone-pumped, grimly ironic and often murderously funny Gen X novels of Dave Eggers, Chuck Palahniuk and William T. Vollmann.”
— Nashville Scene
“Baer writes noir like there’s no tomorrow, which is fitting, because it’s something of a shock his sexed-up and/or strung-out characters survive another day.”
— Memphis Flyer
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