Wastelands: Stories of the Apocalypse (Paperback)

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Editorial Reviews

From Publishers Weekly

Starred Review. This harrowing reprint anthology of 22 apocalyptic tales reflects the stresses of contemporary international politics, with more than half published since 2000. All depict unsettling societal, physical and psychological adaptations their authors postulate as necessary for survival after the end of the world. Keynoted by Stephen King's The End of the Whole Mess, the volume's common denominator is hubris: that tragic human proclivity for placing oneself at the center of the universe, and each story uniquely traces the results. Some highlight human hope, even optimism, like Orson Scott Card's Salvage and Tobias Buckell's Waiting for the Zephyr. Others, like James Van Pelt's The Last of the O-Forms and Nancy Kress's Inertia, treat identity by exploring mutation. Several, like Elizabeth Bear's And the Deep Blue Sea and Jack McDevitt's Never Despair, gauge the height of human striving, while others, like George R.R. Martin's Dark, Dark Were the Tunnels, Carol Emshwiller's Killers and M. Rickert's Bread and Bombs, plumb the depths of human prejudice, jealousy and fear. Beware of Paolo Bacigalupi's far-future The People of Sand and Slag, though; that one will break your heart. (Feb.)
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From Booklist

With this well-chosen set of postapocalyptic stories, editor Adams provides a bit of everything that is best about the trope, from bleak, empty worlds to beacons of hope in an otherwise awful situation. Only Jerry Oltion’s “Judgment Passed,” about what happens when a space expedition returns to an Earth to which Jesus has returned, and the rapture has come without them, is original to the collection. Stephen King’s bleak “The End of the Whole Mess” opens, John Langan’s much more recent “Episode Seven: Last Stand against the Pack in the Kingdom of the Purple Flowers” closes, and they are wildly different. Highlights in between include Octavia Butler’s “Speech Sounds,” in which civilization has ended because a disease has made most people unable to talk, read, or do any number of once-taken-for-granted things, and Elizabeth Bear’s “And the Deep Blue Sea,” a brilliant take on a world laid waste and a devil’s bargain that treads in Roger Zelazny’s manic footsteps. A well-chosen selection of well-crafted stories, offering something to please nearly every postapocalyptic palate. --Regina Schroeder

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Product Details

• Paperback: 331 pages
• Publisher: Night Shade Books; Reprint edition (January 15, 2008)
• Language: English
• ISBN-10: 1597801054
• ISBN-13: 978-1597801058
• Product Dimensions: 8.9 x 6 x 1.1 inches
• Shipping Weight: 13.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars  See all reviews (45 customer reviews)
• Amazon.com Sales Rank: #632 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

79 of 81 people found the following review helpful:

5.0 out of 5 stars Stories of Life After Apocalypse, January 16, 2008

By	Joe Sherry (Minnesota) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

What is in a name? A title? Wastelands: Stories of the Apocalypse suggests that the anthology will cover stories directly dealing with various versions of the apocalypse, the end of the world. That is not quite what this Wastelands anthology is about, though. The original title Wastelands: Stories of Life After Apocalypse was a bit more apt in describing the content of this anthology. The stories collected here by editor John Joseph Adams are not about the apocalypse, but rather about life after apocalypse. The wastelands made of our world is not the primary point of any individual story, but rather the survival of the species told in small human stories. In that sense the majority of the stories here are filled with beauty and not just the desolation of the landscape.

What is most remarkable about Wastelands is just how varied stories about living after the destruction of civilization is. Take Octavia E. Butler's Hugo Award winning "Speech Sounds", a story where humanity has lost the power of speech and must find other ways to communicate and society has broken down. Telling the story from the perspective of a woman named Rye, Octavia Butler is able to really give the reader a sense of the terror a woman may feel in such a situation and the emptiness of that life, of the snap anger and body language required to get by, and the barest hint of hope. "Speech Sounds" has been anthologized before, but is a truly outstanding story.

The range of stories collected in Wastelands runs the gamut from "Bread and Bombs" by M. Rickert, a post 9/11 story with kids feeling the fear of their parents, to the future history of "Dark, Dark Are the Tunnels" by George R. R. Martin, a post nuclear holocaust story with the remants of humanity living deep under ground, or Paolo Bacigalupi's "The People of Sand and Slag" where humanity is barely recognizable and a dog reminds the survivors of what life must have been like before, and filled with sadness of the setting and situation. Bacigalupi's story is especially surprising to me because of how negatively I reacted to his story "Yellow Card Man", but "The People of Sand and Slag" is a heartbreaking, beautiful, and painful story.

Other standout stories in Wastelands include Cory Doctorow's "When Sysadmins Ruled the World", "Artie's Angels" by Catherine Wells, and most surprisingly, the anti-Rapture and anti-religion "Judgment Passed" by Jerry Oltion. A spacecrew who were away from Earth return to find that Christ had returned and the Rapture occurred. I had expected that Oltion's anti-Rapture theme would overwhelm the story, but Oltion was very thoughtful and the way he had the characters respond seemed reasonable and plausible.

There are stories in the Wastelands anthology which did not quite work. Gene Wolfe's "Mute" is about as inscrutable as one would expect and despite Neil Gaiman's insistence on Wolfe improving with re-reading, "Mute" fails to connect. "Still Life With Apocalypse" and "Episode Seven" both did not seem to tell a coherent story.

"Episode Seven" is notable because John Langan was inspired to write the story in response, partly, by Dave Bailey's "The End of the World As We Know It", a very different story of "post-apocalyptic" fiction. In this story the survivor has a passive response to the end of the world, drowning it in alcohol rather than fighting actively for survival. Outstanding story, one of the best in the anthology.

Also notable are Elizabeth Bear's driven "And the Deep Blue Sea" and Neal Barrett Jr's "Ginny Sweethips' Flying Circus".

The bottom line is that collectively the stories John Joseph Adams has put together here in Wastelands shows off the range of the post-apocalyptic sub-genre of fiction. Wastelands is an excellent anthology of short fiction and one that would easily fit on any collector's shelves. There are far more standout stories than there are misses, and even that is subjective.

Post-Apocalyptic fiction is a favorite sub-genre of mine, and getting the chance to see just how wide ranging the genre can be is a treat. As a bonus, Adams includes a bibliography at the end of the anthology of other prominent post-apocalyptic novels and short stories.


Reading copy provided courtesy of Night Shade Books.

26 of 29 people found the following review helpful:

5.0 out of 5 stars Wastelands certainly is not a waste of time!, December 19, 2007

By	Paul A. Cole "n1qaw" (rockland, maine USA) - See all my reviews (REAL NAME)

I know if your like me you view "theme" books with a bit of skepticism. Assembling a collection of any size with only one "type" of story can be daunting. I have often found many of these types of books containing one or a few really top notch stories and the rest relegated to filler. Collections like Ellison's Dangerous Visions is a shining example of how to do it right. Is Wastelands in that league? Not quite, but DAMN close. The stories are not as "dangerous" as DV and it's no where near the size of DVs. However, don't take me wrong, the tales in Wastelands are the crème de la crème of this genre and for that matter science fiction as a whole. Often the editors choice of covers is their attempt to put their best foot forward, so by looking at just the cover of Wastelands, one might suspect that the author is attempting to snare you on name recognition alone. Believe me, this is not the case. Yes, notable names all, however the tales between those names are every bit as strong. A good example is one of my favorites in this book and appearances elsewhere - The People of Sand and Slag, by Paolo Bacigalupi, or better called a boy and his dog and an appetizer. An absolutely stunning story of the far future and an equal to any of the "names" on the front. The whole book is like this. One retina blasting mind numbing yarn after another. King's story alone is worth the price of the book. (a kind of sideways retelling of Flowers for Algernon) The only suggestion is that you read each story straight through and put the book down and walk away for a time. Each story deserves to be considered on it's own merit. The subject matter and the tales themselves are often so strong and different that you very well could miss the high point of one while recovering from the blast received from the previous reading. Wastelands is well worth the cost. The author has done his job in exemplary manner. Wastelands would make an excellent gift for the jaded science fiction fan.

Paul Cole
host Beam Me Up radio program & podcast

13 of 15 people found the following review helpful:

5.0 out of 5 stars Tomorrow never comes., June 19, 2008

By	Jan Dierckx (Belgium, Turnhout) - See all my reviews (REAL NAME)

Amazon Verified Purchase

Somebody once said that after a disaster there is always at least one survivor to tell the story to others. But what if you are the sole survivor and there is no-one else on Earth to talk to?

Long ago I read a SF-story (or should I say a post-apocalyptic story? Oh well, what's in a name?) about a man who was not only the sole survivor of the human species but of all existing life including vegetation. Because of his injuries he could only crawl. After several months he finally reached the Ocean, crawled into the water and died. His decomposing body would provide the Ocean with atoms and molecules so that in a far future, new life could emerge from it.

Because of the atomic bomb on Hiroshima and the Cold War, post-apocalyptic literature was popular. But the fall of the Berlin Wall meant also the end of post-apocalyptic literature.

Today there is a revival of this genre. Probably because adventure and the possibility of starting all-over have a kind of charm. Maybe the most notorious example is Cormac McCarthy who received the Pulitzer-Price for his novel 'The Road'.

In this collection, you won't find stories where an invasion by Aliens or an uprising of Zombies are responsible for wastelands all over the globe. The editor of this anthology, John Joseph Adams, says that they could be the subject for another anthology.
The best thing I can do right now is to give you the name of each author and the title of his/her story.

The End of the Whole Mess - Stephen King
Salvage - Orson Scott Card
The People of Sand and Slag - Paolo Bacigalupi
Bread and Bombs - M. Rickert
How We Got In Town and Out Again - Jonathan Lethem
Dark, Dark Were the Tunnels - George R.R. Martin
Waiting for the Zephyr - Tobias S. Buckell
Never Despair - Jack McDevitt
When Sysadmins Ruled the Earth - Cory Doctorow
The Last of the O-Forms - James Van Pelt
Still Life with Apocalypse - Richard Kadrey
Artie's Angels - Catherine Wells
Judgement Passed - Jerry Oltion
Mute - Gene Wolfe
Inertia - Nancy Kress
And the Deep blue Sea - Elisabeth Bear
Speech Sounds - Octavia E. Butler
Killers - Carol Emshwiller
Ginny Sweethips' Flying Circus - Neal Barret, Jr.
The End of the World as we Know It - Dale Bailey
A Song Before Sunset - David Grigg