Performance criticism tries to understand the significance of the history of this material as something that was performed--sung, in a community, with various participants and with responses expected from the audience. The authors explore how the Old Testament writers imbedded these songs in their prose so as to add persuasiveness to the narration. The work includes two extensive bibliographies, one related to the biblical passages and the second to the emerging methodology as an aid to those encountering this inter-disciplinary work for the first time.
William J. Doan is Associate Dean of the School of Fine Arts and Professor of Theatre at Miami University, Oxford, Ohio. He is the author of many published works, including Prophets, Performance, and Power with Terry Giles.
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