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The Cambridge Companion to W. H. Auden (Cambridge Companions to Literature) by Stan Smith |
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Editorial Reviews
Product Description
In this Readers' Guide, Paul Hendon introduces some critical paths through Auden's demanding poetry by drawing upon material ranging from contemporary reviews and comments by fellow poets, to more recent scholarly and theoretical approaches. There is an overview of Auden's life and works, useful for readers new to the poet, while subsequent chapters discuss key critical themes through selected extracts. Issues such as the ambiguity of Auden's politics, his return to Christian faith, and his attitude to history, criticism, and art are discussed, while the critical arguments surrounding his 'defection' to America and the significance of the increasingly domestic nature of his later work are assessed.
Book Description
See all Editorial Reviews
In this Readers' Guide, Paul Hendon introduces some critical paths through Auden's demanding poetry by drawing upon material ranging from contemporary reviews and comments by fellow poets, to more recent scholarly and theoretical approaches. There is an overview of Auden's life and works, useful for readers new to the poet, while subsequent chapters discuss key critical themes through selected extracts. Issues such as the ambiguity of Auden's politics, his return to Christian faith, and his attitude to history, criticism, and art are discussed, while the critical arguments surrounding his 'defection' to America and the significance of the increasingly domestic nature of his later work are assessed.
Book Description
In this Readers' Guide, Paul Hendon introduces some critical paths through Auden's demanding poetry by drawing upon material ranging from contemporary reviews and comments by fellow poets, to more recent scholarly and theoretical approaches. There is an overview of Auden's life and works, useful for readers new to the poet, while subsequent chapters discuss key critical themes through selected extracts. Issues such as the ambiguity of Auden's politics, his return to Christian faith, and his attitude to history, criticism, and art are discussed, while the critical arguments surrounding his 'defection' to America and the significance of the increasingly domestic nature of his later work are assessed.
See all Editorial Reviews