From School Library Journal
PreSchool-Grade 1-This retelling falls short of the mark with flat language and ill-fitting illustrations. In a Hungarian village, a young boy refuses to come in and light the stove for his mother, and sticks out his tongue. He falls down and his tongue sticks to an icy iron fence. A variety of bewildered townspeople try to help to no avail. "The woman looked from one to the other. Maybe it was true what people said; maybe this town was full of fools." Ultimately, the boy is freed, but not before he repents and changes his attitude. The story is slight, and the message is heavy-handed. Tarbescu's language is overly modern and entirely uninspired. "Promise, schmomise, I'm too busy." The acrylic illustrations are awkward at times; the boy is overly cute and the villagers are all pink-cheeked. While their simple, warm clothing is appropriate and the decorative carpetlike borders add interest, no amount of clever workmanship can make up for the lackluster text with its overstated moral. Stick with the wealth of Jewish folktales retold by authors such as Eric Kimmel and Isaac Singer.
Amy Lilien-Harper, Ferguson Library, Stamford, CT
Copyright 2000 Reed Business Information, Inc.
Amy Lilien-Harper, Ferguson Library, Stamford, CT
Copyright 2000 Reed Business Information, Inc.
From Booklist
Set in a small Hungarian village, this is a lively Jewish folktale in the tradition of the fools of Chelm. "Promise, Schmomise, I'm too busy," the widow's son says when his mother asks him to light the fire. She chases him, he sticks out his tongue at her, and when he falls in the snow, his tongue sticks to the iron fence. All the villagers, including the shoemaker (who thinks he knows about tongues), the butcher, the baker, and the carpenter, try to free the boy, but it's a traveling blacksmith who finally works out the solution: he starts a fire to warm the iron and set the boy free. The ending is a little flat--the boy learns to be helpful next time--and lacks the wry humor of Singer's retellings. The fun is in the quarrel, the trap, and the silly bumbling of the villagers. Tarbescu tells it with verve, and Mills' big, colorful acrylic pictures in folk-art style show the slapstick action and the warmth of the schlemiels who mean well. Hazel Rochman
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved





