From Publishers Weekly
In this vivid and enjoyable meditation on crows in art, literature and history, Sax (The Serpent and the Swan: The Animal Bride in Folklore and Literature), a scholar at Mercy College in Dobbs Ferry, New York, gives the genus Corvus the enthusiastic treatment it deserves. Crows have always preoccupied people-as tricksters and crop thieves, as harbingers of death or creators of the world, as models of marital fidelity and bearers of prophecy. But Saxs book is more than an endearing act of monomania. Part of a series that includes odes to dogs, ants, snakes and other cardinal companions and familiar pests, this volume emphasizes that animals and allegory are still fundamental to the human imagination. The 95 illustrations (27 in color) are beautifully reproduced: from a Japanese ink drawing of a plump crow bending plum boughs to contemporary photographs of the Yeoman Raven Master feeding his wards at the Tower of London, where they are believed to protect the English Crown. Sax can sound moralizing when he generalizes; in his discussion of Poes "The Raven" he asserts: "Few people ... stop to even consider what the poem might be about." The books organization-by region and epoch-is logical but not necessarily ideal. The inevitable overlaps in regional and historical views leads to a kind of redundancy rather than the kind of elaboration that might have arisen in a more free-ranging discussion. Sax is wholly successful, however, in transmitting the wonder and admiration with which he regards these iconic birds.
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Review
...shows myriad ways in which the crow has influenced religion, the arts, literature, and everyday routines --
Kathmerini, January 4, 2004This authoritative and well-researched book is an ideal source of reference for anyone...charmed by these wonderful birds. --
Cage and Aviary Birds, February 7, 2004roams divertingly over the scientific and cultural history of the "corvid" family,...tracing ambivalent responses to these mischievous birds. --
The Guardian, Nov. 22, 2003
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