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Product Description
A critical survey of Viennese treatises on harmony and their influence on the work of a number of 18th to 20th century composers.
From the Publisher
This product is not a traditionally bound book. Many ProQuest UMI products are black-and-white reproductions of original publications produced through the Books On Demand ® program. Alternately, this product may be a photocopy of a dissertation or it may be a collection reproduced on microfiche or microfilm if it is intended for library purchase. --This text refers to an out of print or unavailable edition of this title.
A critical survey of Viennese treatises on harmony and their influence on the work of a number of 18th to 20th century composers.
From the Publisher
This product is not a traditionally bound book. Many ProQuest UMI products are black-and-white reproductions of original publications produced through the Books On Demand ® program. Alternately, this product may be a photocopy of a dissertation or it may be a collection reproduced on microfiche or microfilm if it is intended for library purchase. --This text refers to an out of print or unavailable edition of this title.
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Citations
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18
books
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- Harmony Theory: A Bibliography (Music Reference Collection) by James E. Perone on 6 pages
- Music Analysis in the Nineteenth Century: Volume 1, Fugue, Form and Style (Cambridge Readings in the Literature of Music) by Ian Bent on page 225, and Back Matter
- Ernst Kurth: Selected Writings (Cambridge Studies in Music Theory and Analysis) by Ernst Kurth in Front Matter, and Back Matter
- The Cambridge Companion to Bruckner (Cambridge Companions to Music) by John Williamson in Back Matter (1), and Back Matter (2)
- Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven by William E. Caplin in Back Matter (1), and Back Matter (2)
See all 18 books citing this book
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