Most Helpful Customer Reviews
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14 of 14 people found the following review helpful:
5.0 out of 5 stars
The best technical and creative book on blocking and shots, May 2, 2003
Unequivocally the best reference for shots and blocking. Strickly for the professional director and cinematographer; this is a highly technical book. I refer to this book during my prep for each film, and no matter how many times I have read it, I am always reminded of something dynamic and valuable. Each page has storyboard drawings that show camera position, screen direction, and sequence of cuts. Also shown are dolly moves and character movement. These diagrams are accompanied by clear and detailed commentary. Do not be misled by the selected sample pages above. Fully 35% of the book is diagrams; the text explains the diagrams. The book is organized with the most basic coverage at the beginning, and each chapter thereafter presents increasing complexity of blocking. The shots presented are all from actual films, a factor that gives the material and the book an aliveness and vitality. Some of these films are complete unknowns, others are classics. Yet the source is inconsequential; what is amazing is that Mr. Arijon has essentially put into this book every possible combination of camera placement and character arrangement that has ever been done in cinema. Every director I have shown this book to has immediately gone out and gotten their own copy for reference. Anyone planning to direct or shoot a film will find this book an invaluable contribution to their ideas and creativity. Again due to its highly technical content, this is for professionals or serious students. The bible of blocking for cinema.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
A magnum Opus, ......directors Elysium, December 8, 2001
Are you an amateur film maker, prehaps you have not attended film school, and your looking for a book to guide you through the rudimentaries of directing? Well, look no further, this book is a directors panacea, a klodike filled with sound advice, superb diagrams and clear chapters taking you through all techniques.It's 600 pages of diagrams that will explain in detail how to set up shots, what techniques one can utilise and unconventional methods of composing pictures, playcing actors etc. I have bought numerous books on directing, this is the first one which actually helps a director transfer a scene from a script on to film/storyboard. It can be quite sophistocated and requires some effort to get aquainted with certain intricate techniques. Even seasoned directors would be advised to have a copy of this fine book. As a college lecturer I have found this book invaluable. I recommend it, it's worth every penny.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
The best book on film making, February 24, 2006
After 17 years in the entertainment business, I have, or have read just about every book on film making there is and this is by far the most comprehensive when it comes to explaining what a composed image means. It also explains how to shoot and compile sequences to create specific rhythms, moods and elicit desired emotions from your audience. This is hands-down the best book for Directors, Editors, and Cinematographers available.
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