Book Description
This new tapestry of Froug's essays and interviews with top screenwriters, producers and directors is a sequel to his highly popular Zen and the Art of Screenwriting. Once again, Froug proves that he can pull engaging comments from his interviewees and, with his essays, cause both novice and seasoned screenwriters to stop and rethink what they're doing. The essays are wide-ranging, covering such diverse subjects as creating your own talent, getting your scripts read, avoiding story-structure gurus, entering screenplay contests, Hollywood's rewrite panic, Hollywood's ephemeral enthusiasms, the stop-start method for studying films, guarding your surprises, reinventing old ideas, and guilt as a writer's tool. There's also a scene-by-scene look at the film Body Heat.
The interviewed filmmakers are Richard Donner (Lethal Weapon, The Omen), Scott Frank (Get Shorty, Dead Again), Brian Helgeland (L.A. Confidential, Payback), Nicholas Kazan (Reversal of Fortune, Fallen), Frank Pierson (Dog Day Afternoon, Cool Hand Luke), Eric Roth (The Horse Whisperer, Forrest Gump), Lauren Shuler-Donner (Any Given Sunday, Bulworth), Aaron Sorkin (A Few Good Men, The American President) and Robin Swicord (Little Women, Practical Magic).
About the Author
William Froug is an Emmy-winning writer-producer whose television credits include Playhouse 90 and The Twilight Zone. The Producers Guild named him Producer of the Year in 1956, and the Writers Guild of America awarded him their Valentine Davies Award in 1987. He is professor emeritus at UCLA, where he founded its film and television writing program.