New Edge of the Anvil: A Resource Book for the Blacksmith [ILLUSTRATED] (Paperback)

~ (Author) "My grandfather, like many blacksmiths of yesterday, brings to mind an image of robust and independent craftsmen who were a main force in the early..." (more)
Key Phrases: cupping tool, hardie hole, blueing solution, Samuel Yellin, Tom Joyce, Practical Blacksmithing (more...)

Editorial Reviews

Review

The is THE one book you need to get started as a blacksmith.

The New Edge of the Anvil is a revised and expanded edition of Andrews' earlier and most successful book. I urge all my students to buy, read, use and then reread this book. Clear words, excellent pictures, good explanations, tables, charts...all you need to encourage you to pick up a hammer and start hammering. The new sections include wonderful pictures of historical ironwork (go practice making some of these!) and then the directions that six contemporary smiths are taking.

I confess that I am one of these smiths, and that I have known the author for years. Because this is such a good resource, it is wonderful to be able to recommend it heartily without our friendship compromised. Buy it! -- Nol Putnam from The Plains, Virginia, USA, May 20, 1999

Product Description

The tenet of this book is provide a tool for artists/blacksmiths and metalworkers. It tells how to work metal: heating it, cutting it, upsetting it, drawing it out, twisting it, forge welding it and shaping and assembling it. It tells about metallurgy and tool making, metal finishes and corrosion, sources of information and supplies, charts and guidelines for many tasks. It explains the process of design, how to use the computer in metal design, how to set up a business and how to manage it. Providing an inspiration for all blacksmiths are portfolios of the wrought iron work of Martin Rose and Samuel Yellin, two of America's premier metalworkers of the past. To further inspire and to show the new focus of blacksmithing in the metal arts, six contemporary metalworkers show a series of demonstration pieces of their iron work. This 256 page book is bound with an improved binding system (Otabind) that allows the pages to lay flat.

Product Details

• Paperback: 256 pages
• Publisher: SkipJack Press; 1st edition (September 1994)
• Language: English
• ISBN-10: 1879535092
• ISBN-13: 978-1879535091
• Product Dimensions: 9.8 x 8 x 0.7 inches
• Shipping Weight: 1 pounds (View shipping rates and policies)
• Average Customer Review: 4.8 out of 5 stars  See all reviews (12 customer reviews)
• Amazon.com Sales Rank: #98,928 in Books (See Bestsellers in Books)

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  #19 in	Books > Professional & Technical > Engineering > Materials Science > Metallurgy
  #24 in	Books > Professional & Technical > Engineering > Materials > Metallurgy
  #74 in	Books > Home & Garden > Crafts & Hobbies > Metal Work

Customer Reviews

Most Helpful Customer Reviews

68 of 69 people found the following review helpful:

5.0 out of 5 stars The is THE one book you need to get started as a blacksmith., May 20, 1999

By	Nol Putnam ([e-mail]) (The Plains, Virginia, USA) - See all my reviews

The New Edge of the Anvil is a revised and expanded edition of Andrews' earlier and most successful book. I urge all my students to buy, read, use and then reread this book. Clear words, excellent pictures, good explanations, tables, charts...all you need to encourage you to pick up a hammer and start hammering. The new sections include wonderful pictures of historical ironwork (go practice making some of these!) and then the directions that six contemporary smiths are taking. I confess that I am one of these smiths, and that I have known the author for years. Because this is such a good resource, it is wonderful to be able to recommend it heartily without our friendship compromised. Buy it!

38 of 39 people found the following review helpful:

5.0 out of 5 stars The single, must have, reference book for all blacksmiths., April 13, 1999

By	[e-mail] (Don Plummer) (Phoenixville, PA USA) - See all my reviews

This book has been a constant guide and reference for me for the past fifteen years. Every time I look through it I find something of value that I missed or forgot. The quality of the text, phots and drawings in this new edition are of the highest quality and make the book a continual delight to read and review. If I could have but one book about blacksmithing, this would surely be the one.

54 of 58 people found the following review helpful:

4.0 out of 5 stars Make no mistake; this is a beginners book., April 26, 2004

By	Valerie (Near Disaster) - See all my reviews

I bought this book because it was highly recommended by blacksmiths. One man proclaimed it the best beginners book for blacksmithing that he knew. I guess I missed the word 'beginners'. This book is built as a series of lessons that start out really simple and then build up. It seems to be written as a text book for a blacksmith's class, although, it is not put forth as such a book. And I think, if used as such in a class with an instructor it might be an excellent book.

The writing seemed slow and laborous to me. I found myself rushing over much of it. It begins with the basics; I mean like unbelieveably basic. I don't think that I was ever that basic. I already knew how to burn my hand on hot iron and smash my finger on the anvil.

There are some good explainations in here. But nothing that you won't find in some other blacksmithing book. (Except, maybe, how to build a smithing teepee.) There are a fair amount of drawings, but more wouldn't have hurt.

Then, suddenly, on page 127, they jump into work done by pros. And not just your average pros, mind you, but work by Samuel Yellin, Martin Rose, Elizabeth Brim, Fred Crist, Nol Putnum and others. Pretty stuff, I must admit, but not many smiths reach this level of expertise in their entire lifetime, let alone, after 125 pages. Nearly half of the book is this 'portfolio' of these guys. Pictures of their work. If I would have wanted an art book, I could have bought an art book. I would rather have seen more examples of technique. I sort of feel like I bought an advertisement (though, some of these folks are dead.)

Evidently, this book is aimed at the 'artist blacksmith'. Don't kid yourself into thinking, however, that you are going to start on page one and by page 125, you are going to be on the level of Elizabeth Brim.

If you don't know your b**t from a hardy hole, and are interested blacksmithing as a decorative art, then I can recommend this book to you as your first book. It is good quality. If you already own a single book on blacksmithing it will have all the information that this book has in it, except for the pretty pictures of Sam Yellin and the other's work.

If you are interested in blacksmithing as a sidline to something else, and just want to make your own tools or machine parts, then there are other books better than this one. This book only gives about 130 pages of so of actual blacksmith techniques. The rest is design and 'artsy' stuff.