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Editorial Reviews
The New Yorker, Recommended Reading
"Nurske's rhetorical period, can be breathtaking"
Stephen Berg
Leaving Xaia's voice escapes, the world of personal identity and replaces it with something eerie and compelling --an invented, believable world which perhaps has been written by what Breton called "the shadow mouth"--that other, that non-I, that most fascinating stranger each of us is, Once we hear it, Breton says. we can hear no other, A frightening idea: I am still trying to hear D. Nurkse's unique music fully, understand his world, because I am fascinated by it.
See all Editorial Reviews
"Nurske's rhetorical period, can be breathtaking"
Stephen Berg
Leaving Xaia's voice escapes, the world of personal identity and replaces it with something eerie and compelling --an invented, believable world which perhaps has been written by what Breton called "the shadow mouth"--that other, that non-I, that most fascinating stranger each of us is, Once we hear it, Breton says. we can hear no other, A frightening idea: I am still trying to hear D. Nurkse's unique music fully, understand his world, because I am fascinated by it.
See all Editorial Reviews
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Inside This Book Citations: 1 book that cites this book Explore: Citations | Concordance | Text Stats Browse Sample Pages: Front Cover | Copyright | Table of Contents | Excerpt | Back Cover | Surprise Me! |
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Inside This Book
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Concordance | Text Stats Browse Sample Pages:
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover | Surprise Me!
Concordance | Text Stats Browse Sample Pages:
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover | Surprise Me!
Citations (learn more)
1
book
cites this book:
- Never Before: Poems About First Experiences by Laure-Anne Bosselaar in Back Matter