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7 of 8 people found the following review helpful:
5.0 out of 5 stars
Authors' Response to Political Reviews, February 6, 2000
SMOKE has received glowing reviews in almost all quarters. Richard Miller writes in Sports Collectors Digest that "rarely does a baseball book offer so much new information to a new audience (American fans) in such superb fashion" (1-21-00). LA Times reviewer Kevin Baxter praises the book's "warm and vivid picture of Cuba's 125-year-old love affair with America's pastime" and calls the volume "a fan-friendly Ciff's Notes version-brightly written and breezy, but still managing to hit all the high points" (9-23-99). Most significantly, El Nuevo Herald (the Spanish-language version of the Miami Herald)-often an uncompromising voice for Cuban-American anti-Castro sentiments-is lavish in its praise of SMOKE as "perhaps the most groundbreaking book on the history of Cuban baseball" (11-8-99) and touts the work for avoiding the "politicization" which weakens other Cuban baseball histories and also for giving equal voice to the stories of both pre-revolution and post-revolution baseball on the island.Not surprisingly, however, even an unpolitical book will (like Elian Gonzalez) become a political "football" when Cuba is the subject of inquiry. Some of SMOKE's recent on-line reviewers, voicing a Miami-based Cuban-exile viewpoint which still finds anathema in any and all positive words about everything found in post-revolutionary Cuba, have taken to the internet to blast our book as insulting to the American-Cuban community because it does not find fault with Castro's purported human rights violations, and also to blast the book's authors as "knowing nothing about Cuba or its history." It is our contention that potential readers of SMOKE would be well-warned to approach such off-target "reviews" in the context in which they are written. Yes, there are a small handful of typographical flaws in this book as in every other, and we are admittedly not at all shy about lavishly praising contemporary Cuban baseball as the refreshing and entertaining spectacle we have experienced it to be. Our book's considerable value and strong reception is best measured, perhaps, by the fact that SMOKE has been nominated for each and every one of this year's top literary awards in the field of baseball history: Spitball magazine's prestigious CASEY AWARD (finalist), The Sporting News-Society for American Baseball Research Award (finalist), The HAROLD SEYMOUR MEDAL (finalist), and the Davey Moore Baseball Literature Award (Honorable Mention). And Miami's Nuevo Herald found the book so meritorious that it ran an eight-week Spanish-language serialization during the months of November, December and January. The charge that the book's authors know nothing about Cuba or the Cuban baseball scene is also quickly belied by the strong and enthusiastic reception of SMOKE in Cuba itself-among baseball officials, old-time dedicated baseball fans who are in touch with both the pre- and post-revolution Cuban League scene, the Cuban sporting press, and the dedicated "aficionados" in Havana's Parque Central who are the self-appointed caretakers of the island's grand baseball tradition. The book has been praised in the pages of GRANMA (the official government press) even though it has taken the bold step (not favored in many Cuban government circles) of carrying photos and relating accounts of the careers of players like "El Duque" Hernandez and Livan Hernandez who have subsequently fled the island for major league careers. Contrary to nostalgia-based popular opinion found in some quarters of the Miami Cuban-exile community, baseball did NOT reach a final "golden age" in Cuba during the decades of the forties and fifties. In truth the sport was dying on the island in those mid-century decades (as it also was in the US, in the face of decade-long New York Yankees domination and the early advent of televised games). Havana's ballparks were half-empty for Cuban winter league games throughout the '50s and the AAA Sugar Kings ('54-'60) unsuccessfully begged for fans. More importantly, there was no Cuban national baseball whatsoever before the revolution; professional baseball on the island during the century's first six decades was strictly a limited Havana affair. And the amateur leagues of that era were unexceptionally reserved for white players only. For all its other possible disastrous consequences, the revolution of 1959 launched a truly national baseball league on the island, revived waning fan enthusiasm, and opened some of Cuban baseball's most glorious chapters. Those chapters, as well as the ones that preceded, are more vividly recounted in both photos and text in SMOKE than in any other Cuban baseball history. We have also salvaged a photographic record of Cuban baseball that is slowly but surely being ravaged and destroyed by the passage of time and the existing economic conditions on the island. Open the pages of this book and step into any epoch of Cuban baseball you might chose. Be enthralled by the full-color imagery that is almost as lively as the island's national pastime itself. This is one book, we believe, that truly can be judged by its cover.
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