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Victor Borge was a master at combining two seemingly disparate elements: comedy and classical music. While the Dane's dapper dignity fit the image of "longhair" music, Borge undercut it with broad physical comedy, clever spoofs, and off-the-cuff wit. A pioneer in the field of
live comedy recordings, Borge is nevertheless best appreciated on video, and
The Best of Victor Borge Acts One and Two captures a 90-minute concert that includes many of his most famous routines. He chides late-arriving members of the Minneapolis audience ("I come from Copenhagen and was here before you!"), falls off the piano bench, and reads his sheet music upside down. There are a few unwitting guests: a stagehand drafted to turn Borge's pages, soprano Marylyn Mulvey who tries to sing a Verdi aria through Borge's teasing and scolding, and Sahan Arzruni as he and Borge play a two-piano Hungarian rhapsody on a single piano by climbing over and around each other. Borge also presents an opera "written by Mozart but credited to Salieri" ("so you can imagine what kind of opera it is") and proves that he's not merely a clown by skillfully performing a set of waltzes and lullabies. In addition, two of his best-loved sketches are nonmusical: Inflationary Language, in which numbers in language, like the economy, are increased ("I'll go back to Elevenessee.... Three-dleoo."), and Phonetic Punctuation, in which a period is read aloud to sound like
fft and an exclamation point
fsss fft. Like
Anna Russell and
PDQ Bach, Victor Borge helped make classical music accessible to a wide audience by showing that it could be laugh-out-loud funny.
--David Horiuchi
From the Back Cover
The classic routines Victor Borge made famous are in this live performance. This very special videotape features: Introducing Mozart, My Favorite Barber, Introducing Marylyn Mulvey, Arias from "Rigor Mortis" by Joe Green, The Timid Page Turner, Phonetic Punctuation, Inflationary Language, Sahan Arzruni with the "2nd Rhapsody" by Fliszt, Salieri Opera, Danish Lullaby. 90 minutes.