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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Ghosts May Apply!, November 11, 2008
This is a collection of Sherlockian tales in which, to quote David Stuart Davies' Forward, "Ghosts may apply." Each of the tales involves some `supernatural' element, a Djinn, a Vampire, a painting, quite a variety of individuals and items. In fact, Chico Kidd and Rick Kennett's "The Grantchester Grimoire" is only the second pastiche I know of that pairs Holmes and Hodgson's Carnacki the Ghost Finder in a single tale. Further, each tale is written by one who knows Holmes and Watson intimately, which makes them disturbing at the very least.
The stage is set by the opening tale, "The Lost Boy," by Barbara Hambly. When the Darling children disappear, Mr. Darling consults Sherlock Holmes and Mrs. Darling goes to an old friend who, like her, knew Peter Pan from her youth. At the end of this sad and lovely story, one is left wondering who, exactly, was "The Lost Boy" of the title.
Each of the tales has its own context and viewpoint. Nothing carries across from one to the next except the certainty that things will be not quite what they seem. The sheer nastiness of the villain in Christopher Sequeira's "His Last Arrow" is balanced by the delight of an aged Holmes in his (2nd?) meeting with Count Dracula in Bob Madison's "Red Sunset." Martin Powell's "Sherlock Holmes in the Lost World" gives new meaning to `Non-stop Adventure' with a surprise villain thrown in as an extra. Strictly speaking, Chris Roberson's "Merridew of Abominable Memory' has no supernatural element, but it is a true horror story and it fits right in with the rest of the collection.
As is true with most anthologies, some tales appeal to one taste and some to another. This group seems well mixed, with a variety of approaches and themes. I have mostly commented on those stories that appealed to me. There was, however, one perfectly marvelous tale by Kim Newman called "The Red Planet League" that deserves special attention. It is told by "...your humble narrator - Colonel Sebastian `Basher' Moran ..." and it is worth the reading if only for the delicious villainies of `Basher.' Of the eleven tales included, all are worth reading and several will stand up to re-reading. The only bad feature I found was the quality of the binding on my copy, which seems to induce cover curl.
Reviewed by: Philip K. Jones, October, 2008.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Holmes fix, February 23, 2009
I love Barbara Hambly's work as a writer, and this book was worth it just for her story. As a collection it gave me my Holmes fix, and I will definitely read it again. And probably several more times after that. I'd say it was a good, solid B+ or A- level Holmes read - close, but stumbling occasionally into too obvious-ness.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
"It's been good to have an adventure with you. . . . They never let girls." --Mary Watson, July 25, 2009
I bought this book in Toronto because it had a Kim Newman story ("The Red Planet League") I hadn't seen before. I'll buy any Kim Newman story I see.
Like all of Newman's work, this story is entertaining, with allusions to classic Victorian science fiction and fantasy and 1950s Hollywood versions of it. It doesn't have the social criticism of Newman's best work (for instance the Zorro-werewolf story "Out of the Night, When the Full Moon is Bright" in The Mammoth Book of Werewolves (The Mammoth Book Series), or any of his stories about the Flower Power Antichrist Derek Leech, such as "Another Fish Story" in The Secret Files of the Diogenes Club), but the story does have the original idea of Professor Moriarty as hero with his criminal compatriot Colonel Moran as his biographer, à la Doctor Watson.
Several stories in Gaslight Grimoire have Holmes and Watson interacting with other heroes of their time, like Hesketh Pritchard's Flaxman Low and William Hope Hodgson's Carnacki the Ghost Finder.
My favorite story in this collection is Barbara Hambly's "The Lost Boy," which has a different Watson as narrator, and shows Holmes responding emotionally to a woman in a way that's consistent with the misogyny of the Conan Doyle stories. At the end of this story I felt sorry for two characters--three if you count the boy who never grew up.
The ending of the second story in the book, Christopher Sequeira's "His Last Arrow," completely surprised me. If you've ever wondered why Holmes can solve mysteries that are incomprehensible to everyone else, the answer is here.
"The Finishing Stroke" by M. J. Elliott will appeal to anyone who, like me, is fascinated by the various versions of Oscar Wilde's The Picture of Dorian Gray. (ADDITIONAL RECOMMENDATIONS: If that includes you, you should read Will Self's novel Dorian: An Imitation and see the movie Pact With the Devil starring Malcolm McDowell.)
All the stories in Gaslight Grimoire are enjoyable at the very least, and the book reminds me of what Oscar Wilde said: I can believe anything as long as it's truly incredible.
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