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Which One's Pink? (Paperback)

by Philip A. Rose (Author)
4.0 out of 5 stars See all reviews (9 customer reviews)


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Editorial Reviews

Product Description
Based on extensive conversation with Roger Waters, this detailed book refers to lyrics, album covers, musical details, and concepts of each Pink Floyd album.


About the Author
Phil Rose

Product Details

  • Paperback: 192 pages
  • Publisher: Collector's Guide Publishing Inc (November 1, 1998)
  • Language: English
  • ISBN-10: 1896522173
  • ISBN-13: 978-1896522173
  • Product Dimensions: 7.2 x 4.1 x 0.5 inches
  • Shipping Weight: 5.6 ounces
  • Average Customer Review: 4.0 out of 5 stars See all reviews (9 customer reviews)
  • Amazon.com Sales Rank: #564,175 in Books (See Bestsellers in Books)

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Customer Reviews

9 Reviews
5 star:
 (3)
4 star:
 (3)
3 star:
 (3)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (9 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
71 of 78 people found the following review helpful:
3.0 out of 5 stars Two flaws -- one is major., September 28, 2003
By tonyscam "tonyscam" (Fort Worth, Texas United States) - See all my reviews
I would love to give this book five stars. I agree with the thrust of the other reviewers. Phil Rose knows his stuff -- I say this as an amateur musicologist myself, who grew up analyzing Pink Floyd albums, sometimes sitting at the piano to perform 'The Final Cut' or 'Pros and Cons' in one sitting. Mr. Rose has tried, and mostly succeeded, to write an indispensable work for the more intellectual fans of Roger Waters's Pink Floyd.

However, readers deserved to be warned of, at least, the biggest flaw in this product: It is VERY POORLY BOUND. Pages began to fall out of this paperback during my first read. Because this is such a quality piece of writing, I want to consult it over and over again. Thus, the majority of pages in my copy are loose -- something like, pages 16 thru 54. Knowing this, would I not buy the book? No. It's essential. I just wish for a properly-bound edition. I'll gladly buy the work a second time, if it's not the piece of junk this paperback edition is.

Second complaint -- and this one is directed at the author himself: Phil Rose relies too much on the film version of The Wall, in his analysis of the actual music. This is unfortunate and misguided. We know Roger Waters is not satisfied with the film, that it is heavily-weighted with director Alan Parker's ideas, that there were conflicts about this, and that Waters hopes to re-cast The Wall as a lighter, more elevating musical. Parker's "Wall" is a non-dynamic "downer" which has probably caused more MISinterpretation of Waters's work than a generation of Floydophobic journalists were able to.

A separate sidebar on the film might have been appropriate, or perhaps just a reduction of film-related analysis. What's obvious is that Rose managed unassailable insight into the other four concept albums, WIHTOUT the guidance of a movie -- so why was it necessary at all to include the Alan Parker film?

I hope it's clear that I am STILL recommending you BUY and READ the book! But this is an academic work, not a fluff piece -- thus we owe it to the the publishers, the author, and the consumers to be vigorously honest about it's failures and missteps.

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7 of 7 people found the following review helpful:
4.0 out of 5 stars Floydian philosophy, August 21, 2005
This book is very well articulated. It provides deep insite into the ideas and meaning behind Roger Waters and his conceptual albums while with pink floyd. This book is not for a casual reader, as it will go over many peoples heads. This book refrences many philosophers and psychologists in order to fully evaluate the conceptual ideas presented. A great read recommended for the musically informed closet intelectual
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22 of 32 people found the following review helpful:
5.0 out of 5 stars The definitive interpretation of Pink Floyd's concept albums, January 5, 2002
By Josh Guagliardo (Crowley, La, USA) - See all my reviews
By God, this book will blow your mind if your a Pink Floyd fan. From unlocking all the ambiguity in the lyrics and music of "Dark Side of the Moon" to being able to completely comprehend the depth of "Animals" and "The Wall," Pete Rose's coherent writing is so interesting and concise that you will hardly be able to put this book down, except the times when your brain tries to recover from its understanding of the genius of Roger Waters. Also this book certianly engraves Waters' place as one of the top 5 lyricists of all time, if not the greatest simply on the merit of the intense detail and scope involved in his concept albums. Pink Floyd's albums are revolutionary, and Pete Rose's documentation of all of their intriguing fascists is too.
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Most Recent Customer Reviews

3.0 out of 5 stars Tell me true, tell me why
This book reads like a university text book. Its structure, language and didactically imperious style don't make comfortable reading. Read more
Published 4 months ago by HR Monkey

5.0 out of 5 stars Great book for any Pink Floyd fan!
I bought this for my husband, because he enjoys Pink Floyd a lot. He has read it and will read it again. Read more
Published 5 months ago by James C. Turner

4.0 out of 5 stars A Good Book For Pinkfloyd Fans
I just finished reading this book and it was very interesting. If you know all of the music it gives you a very good incite about the concepts of the music. Read more
Published 20 months ago by Glenn Floyd

4.0 out of 5 stars a lot of insight
If you're interested in an intelligent discussion of Pink Floyd's concept albums, this is a great read. One negative about this book is how SMALL the actual book is. Read more
Published 23 months ago by Passionate About Music

3.0 out of 5 stars Pretentious
I consider myself a huge fan of Pink Floyd, but this book was not interesting at all. Phil Rose takes it upon himself to talk about the meaning of specific notes and patterns in... Read more
Published on January 4, 2007 by J. Bell

5.0 out of 5 stars Possibly the most thought through and precise interpretation
This book is defineatly a most thurogh book in that a majority of the sheep out there do not queit understand the works of Pink Floyd. Read more
Published on December 19, 1999

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