From Booklist
Gee, how many Bob Dylan films could there be? The obvious ones are
Don't Look Back, one of the first and still one of the best rockumentaries;
Pat Garrett and Billy the Kid , a Sam Peckinpah oater, of sorts; and
Renaldo and Clara, which rivals Frank Zappa's
200 Motels as either an idiosyncratic exercise in inaccessibility or a masterwork of surpassing genius. Each gets its chapter from Lee, who also examines Dylan in visual media generally, noting his cameo roles, videos, and appearances at award shows. Gospel Bob can be pretty inaccessible in any medium, of course, making him a wonderful subject for critical analysis. He's unlikely to say or do anything forthright enough to deflate a critical construct, especially one as friendly as Lee's. In closing, Lee proclaims that
Don't Look Back director D. A. Pennebaker's statement that Dylan intends to "make the longest film that's ever been made" is brilliant. Come again? Worth a look, anyway, especially for fans.
Mike TribbyCopyright © American Library Association. All rights reserved
Product Description
Using archive research and fresh interviews, C.P. Lee - author of the higly acclaimed Like the Night - traces Dylan's celluloid obsession from his teenage adulation of James Dean through his involvement in groundbreaking documentaries like Don't Look Back and his enigmatic appearance in Peckinpah's Pat Garratt and Billy the Kid before looking in depth at Dylan-produced movies like Renaldo and Clara and Hearts on Fire. Also includes a full analysis of all Dylan's appearances in film and TV.