Cheerful Weather for the Wedding (Persephone Classics) (Paperback)

~ Julia Strachey (Author), Frances Partridge (Preface)

Editorial Reviews

Product Description

“[Strachey's] sharp eye, playful language and perfect comic timing will not only have you laughing, it'll leave you wondering why the rom-com formula isn't imaginatively tweaked more often.”—NPR's 'Books We Like'

“A brilliant, bittersweet upstairs-downstairs comedy.”—Guardian

“Anyone facing a deluge of summer nuptials will find breezy relief in Julia Strachey’s 1932 novella, Cheerful Weather for the Wedding.”—Cleveland Plain Dealer

It is a brisk English March day, and Dolly is getting ready to marry the wrong man. Waylaid by the sulking admirer who lost his chance, an astonishingly oblivious mother bustling around and making a fuss, and her own sinking dread, the bride-to-be struggles to reach the altar.

Dolly knew, as she looked round at the long wedding-veil stretching away forever, and at the women, too, so busy all around her, that something remarkable and upsetting in her life was steadily going forward.

Julia Strachey (1901-1979) was born in India, where her father, a brother of Lynon Strachey, was in the Civil Service. After her parents' divorce she lived with relations in England and went to Bedales and the Slade and then worked as a model, as a photographer and in publishing. She first married the sculptor Stephen Tomlin and then the art critic Lawrence Gowing; her two novels appeared in 1932 and 1951.

About the Author

Julia Strachey (1901-79) was born in India and lived with relations in England after her parents divorced. She worked as a model at Poiret, as a photographer, and as a publisher's reader. She was married to the sculptor Stephen Tomlin from 1927-34. In 1939 Julia met the art critic Lawrence Gowing, who was twenty-one; the two married after fifteen years.

Frances Partridge (1900-2004) was the oldest surviving member of the Bloomsbury Group, having been married to one of its members and counting most of them as her friends. Julia Strachey was one of her oldest friends and she wrote "Julia" a biography. Partridge kept a diary all her life and several volumes have been published by Little Brown.

Product Details

• Paperback: 136 pages
• Publisher: Persephone Books (June 1, 2009)
• Language: English
• ISBN-10: 1906462070
• ISBN-13: 978-1906462079
• Product Dimensions: 7.4 x 5.3 x 0.5 inches
• Shipping Weight: 5.6 ounces (View shipping rates and policies)
• Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon.com Sales Rank: #17,440 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

1 of 1 people found the following review helpful:

3.0 out of 5 stars Missed Opportunities, August 7, 2008

By	Roger Brunyate "reader/writer/musician" (Baltimore, MD) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

These two stories brought together in the Penguin Classics series (but also available in other editions) are related in setting and theme. One, published in 1932, is a mere novella; the other, from 1951, is a short novel. Together they reveal the work of a charming but minor British writer of the second quarter of the Twentieth Century. On the evidence of these works, Julia Strachey emerges as a comedian of sentiment; think Evelyn Waugh with the sensibility of Elizabeth Bowen. The main difference between the two books is the balance between comedy and feeling in each.

CHEERFUL WEATHER FOR THE WEDDING comes over as a brilliant comic set-piece in search of a novel to contain it. The setting is the large house in the South of England, staffed by a fair number of servants whom the owner, Mrs. Thatcham, is unable either to manage or to comprehend. Dolly, the oldest of the Thatcham children, is to be married in the afternoon, and a number of relatives and friends are gathering for the occasion. All of them are peculiar in one way or another, and most of the story proceeds in an almost surreal montage of comic dialogue. But the bride herself, Dolly, has cold feet and fortifies herself with surreptitious swigs of rum. Meanwhile a former suitor, Joseph Patten, wanders around trying to summon the courage to talk privately to Dolly, something he should have done ages ago. He gets his chance almost at the end of the story, but not in the way he expected. Suddenly, bits of back-story come tumbling confusedly out, but too late to affect the course of events. Joseph has missed his opportunity, but he is not the only one. For a brief moment, we sense the traction that the story might have had, if Strachey had only given these characters more depth.

Although written two decades later, AN INTEGRATED MAN occupies the same time period (the thirties), the same location (the Dorset coast), and the same upper-middle-class lifestyle, where people might stay with friends for months at a time, and houses were supplied with numerous servants to look after them. Gwen Cedar, the hostess here, appeared as a minor character in the earlier novella, and shares Mrs. Thatcham's incomprehension of the servants -- although she goes one further by treating them to forced lectures on aesthetics. The contemporary satire is one of the most interesting aspects of the book. Strachey, who was married to two artists herself, gets in numerous references to modern art and coffee-table theories about everything from social progress to radical education. For her two main guests, Aron and Ned, are educational theorists who have just bought a boys' boarding school to use as a showcase for the most progressive approaches.

Forty-year-old Ned proclaims himself on the first page of the book as "an integrated man," fully in command of himself and in tune with his surroundings. What hubris! For before long, Ned has fallen head over heels in love with Aron's new wife, Marina. Or rather, fallen in lust; the distinction is important to both Ned and the author, who writes obliquely but with surprising frankness about Marina's physical effect on Ned. I imagine that I am not alone in recognizing the syndrome that Strachey analyzes so precisely, but she is less good at making me actually re-live it; I always feel I am watching Ned from the outside. Towards the very end, however, when this comedy of desire reaches a climax involving the danger of real people getting really hurt, there are a few moments that have the frisson of true emotional agony. But only a few. While this is much the more substantial of the two books, and certainly worth reading for its social observations, Strachey's comedic bent gets in the way of her potential as a novelist, resulting in another missed opportunity.

10 of 16 people found the following review helpful:

3.0 out of 5 stars Slight material well handled, July 22, 2004

By	Jay Dickson (Portland, OR) - See all my reviews (TOP 500 REVIEWER)

This review is from: Cheerful Weather for the Wedding (Paperback)

The Persephone Press, in its publicity material, compares this reissue of a 1932 Julia Strachey novel to A ROOM WITH A VIEW, but it's much more like Wodehouse or E. F. Benson in its breezy depiction of the life among interwar rich ninnies. This novel may attempt for something a little stronger in its attempt to adhere to the Aristotelean unities and its faint note of the tragic, but it doesn't quite pull it off. After all, why should it adhere to the Aristotelean unities, and what does the trragic note matter when the characters are so thin? But it's still amusing and likeable: there have probably been few novels where flowers are described incidentally in such detail.