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56 of 57 people found the following review helpful:
5.0 out of 5 stars
I think he delivers on a proven method to paint, May 8, 2005
When I read the reviews of this book I was amazed at the range. Much of the difference seems to me to relate to whether you like his paintings which are generously shown in the book. I like his paintings which probably biases my opinion of his teaching but I think he delivers as much as any book can on the promise to put forth a proven method to paint better paintings.
I think the principles he puts forth are applicable to most painting styles. Let me say first, there in nothing new in this book. However he has a non-dogmatic but well formulated approach and makes the point that continued experimentation is essential to artistic growth. He reviews all the basics. Design is fundamental to a good painting. Design is largely created by the values and shapes chosen. If you try out a series of thumbnail sketches you are more likely to come up with an interesting design. Doing a value study is going to help you focus on the values that will make the painting work. If you are going to paint in color you need to know how light and color work on the variety of light and shadow planes. Contrasting warm and cool colors is usually helpful. Paying attention to edges - when to accentuate, soften or lose them. The importance of Using accents. Avoiding too much color mixing on the palette or mixing with the brush on the painting in order to create clear and interestingly textured brushwork. Where this book excells is in the examples of these principles he gives from his own work, often going step by step through sketch to value study to blocking color in to show how he works. Although not everyone will like his work, those who do are likely to find inspiration.
That said, this book is going to appeal more to painters who are drawn to color because of the examples of his work and his emphasis on how to use color.
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47 of 49 people found the following review helpful:
4.0 out of 5 stars
Excellent and Helpful., May 22, 2003
By A Customer
This is an excellent and beautiful book, though I have a few questions (which I hope Mr. McCaw will see and answer here). For example, he says to limit one's choice of colors to six--a warm and cool version of each of the primaries--plus white and perhaps black. Later, however, he states that, rather than trying to mix colors, it is best to simply use desired tube colors. That seems inconsistent. Similarly, he advises against using white for highlights, yet some of his paintings show highlights of white. (I can't criticize his advice, just the apparent inconsistencies.) It is for such ambiguities that I give four rather than five stars. (If I could, I'd give 4.5 stars.) The book's flaws are quite minor, relative to the great instruction it otherwise provides. In fact, I think I learned more from this book than any other art book I have read. I recommend it. Many of its concepts are also found in another book, The Yin/Yang of Painting, which I also recommend. Each of these books comes at the subject from a little different perspective, using a somewhat different vocabulary and (obviously) different paintings as illustrations. If possible, read both.
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25 of 27 people found the following review helpful:
5.0 out of 5 stars
Inside the artist's process, March 14, 2003
Dan has given us what Sargant,Homer,Benson, Sorolla et. al. never did. He has let us in on his creative process in detail. He is a master of analogy as it applies to art creation and explanation. His works create the impression that he has consumate fun doing them--this sets him apart. Hurry up with the sequel, Dan. Your old admirer Hatfield.
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