Flirting with Pride & Prejudice: Fresh Perspectives on the Original Chick-Lit Masterpiece (Smart Pop series) (Paperback)

by Jennifer Crusie (Editor) "W THE GOOD PEOPLE at BenBella Books asked guest edit Flirting with Pride and Prejudice, ped at it..." (more)
Key Phrases: Jane Austen, Lady Catherine, Elizabeth Bennet (more...)

Editorial Reviews

From Booklist
*Starred Review* Although Jane Austen is often acknowledged as the godmother of the Regency romance (of course, she was writing contemporary love stories at the time), the contributors to this collection intend to prove that Austen's much-loved novels, and specifically her masterpiece, Pride and Prejudice, provide the prototype for today's chick-lit fiction. After romance superstar Crusie presents a crisp and witty introduction distilling the essence of Austen's appeal, an eclectic mix of popular romance authors explore a variety of topics, including Austen's social commentary, the role of history in her novels, and the adaptation of her books into film. Beth Kendrick considers how much today's woman has in common with Austen's heroines in her deliciously clever "Does This Petticoat Make Me Look Fat?" Jo Beverley's "Gold Diggers of 1813" is a discussion of why marrying for wealth mattered so much during the Regency era. Teresa Medeiros takes a fun and flirty look at the appeal of one of Austen's most famous heroes in "My Darling Mr. Darcy." Each contribution to this smart and entertaining collection is a pure delight, adding up to an unusually enjoyable work of literary criticism. John Charles
Copyright © American Library Association. All rights reserved

Product Description

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One of fiction's most well-loved novels, this 19th-century classic continues to capture the hearts of contemporary readers with its notions of marriage, dating, and romance. Leading authors in the area of women's literature and romance contribute to this fresh collection of essays on everything from Lydia's scandalous marriage to George Wickham to the female-dominated Bennett household and the emphasis placed on courtship and marriage. Contributors include Jo Beverly, Alesia Holliday, Mercedes Lackey, Joyce Millman, and Jill Winters. This compilation is an excellent companion for both those new to Jane Austen and well-versed Austen-philes.

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Product Details

• Paperback: 240 pages
• Publisher: Benbella Books (September 28, 2005)
• Language: English
• ISBN-10: 1932100725
• ISBN-13: 978-1932100723
• Product Dimensions: 9 x 5.8 x 0.6 inches
• Shipping Weight: 12 ounces (View shipping rates and policies)
• Average Customer Review: 3.8 out of 5 stars See all reviews (10 customer reviews)
• Amazon.com Sales Rank: #100,637 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

24 of 27 people found the following review helpful:

4.0 out of 5 stars Patchy, but a nice introduction to a kind of critical interpretation, January 6, 2006

By	A. Woodley "Patroness, Janeites, the Austen list" (New Zealand) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

It is a truth, universally acknowledged that Jane Austen's popularity will continue for a long time to come. With another version of Pride and Prejudice on the screens and the Bollywood version, Bride and Prejudice recently released she will continue in the foreground for a while yet. The writing of a new type of critical literature to allow new readers to take new perspectives on her work is therefore timely, and this collection is not too bad either.

I have some reservations on it from the start. I found Jennifer Cruise to be mostly quite good in her (short) introductions to each chapter, but was occassionally annoyed by her blithe ignorance. At one point, for instance, she insisted that Jane Austen 'scholars' all thought of Jane as 'never having a thought that wasn't pure"......Excuse me?! Austen scholars who have studied her letters know indeed, despite Cassandra's heavy editing and likely huge destruction of her sisters Letters, that Jane Austen had many thoughts that were not indulgent and pure.

There were 25 Essays in here, of which 5 were fan fiction or continuations, and at least 2 others might as well have been. There was one quite fun script for a Bennet/bacherlorette reality show. But for the most part these ones just didn't interest me greatly and I skimmed through them.

Beth Kendricks first item sets the tone of the book, relating the choosing of a husband (Elizabeth's burden as a single woman) to modern day choices. For the most part I enjoyed this, but one thing I felt she could have mentioned was that under property laws of the time not only was Elizabeth without money, but any she had became the property of her husband. Choosing a husband was more than a simple process of hit and miss as it is now - it really was for life.

Jennifer O'connells next essay struck me with the same issues - of course her friends wouldn't give Charlotte the advice not to marry Mr Collins - Charlotte was competing for husbands with the 5 Bennet Girls, she also had her younger sister following behind. Mr Collins had money or at least the living at Lady de bourghs, and would be rich once Mr Bennet died, and he was not cruel, just a fool. So for Elizabeth to persist in advising her otherwise was against Charlottes best interests. Still it was salient advice for modern readers

The two best essays, I thought were Jane Austen and History and these are highly recommnended. Jo Beverly gives a very interesting and readable outline of just why there were Gold Diggers in 1813 (the year this book was published) and what the income meant for the Bennet family. Also pointing out that Men were gold diggers too. Beverly pointed out Mr Wickham was a gold digger but interestingly she didn't point out that Darcy's cousin whom Elizabeth met at Rosings was also a gold digger - he had to be as he had no money himself - the difference between himself and Wickham is that he had ethical standards.

Lawrence Watt-Evans also wrote an excellent essay on 'a world at war' pointing out the conflict in dates. The book was first written around 1797 and revised in 1802, but revised again somewhere between 1809 and 1812 and published in 1813. The action takes part over a year from June through to the following june, however the three dates in the book do not correspond to two consecutive years. Watt-Evans outlines the two major arguments from R W Chapman (1811-1812) and PBS Andrews who settles for a period 1797-1802 (saying that it was started in 1797 but the latter half revised substantially in 1802 thus the descrepancy in dates and the small section at the end which talks about Peace (referring to Peace in Amiens). This is a great small outline of the research of these dates, but I think he would have done well - given that his article is about war with the French to have read John Brehan and Clive Caplan;s Article in Persuasions #14 which convincingly argues that the date this was set is in actuality more likely 1794/5 because after that date no Militia were billeted out of season in inland towns of Britain as barracks were built for them. The key element of Pride and Prejudice, the billeting of the Militia could not happened after 1795. There is a great deal more convincing edidence in this article and I strongly recommend it

Elisabeth Fairchild wrote a reasonable review of Pride and Prejudice in Chick lit but I found it unnecessarily confusing as she referred to onions, broccoli to try to clarify them....yeah, confusing isn't it? I just couldn't read Adam Roberts article about the Masturbating Critic, it just was too self indulgent. I also found Elizabeth Baratz-Logsted's article about who has Pride and who has prejudice unncessarily naive. Surely the themes of Pride and of Prejudice relate to all characters at one time or another?

I loved Jennifer Reillys analogy of Pride and Prejudice with Fiddler on the Roof - Masterful! I also really enjoyed Laura Resnick's take on Bride and Prejudice - I would only add that the opening number in this movie (reflecting the sedate country dance in the novel) is a hugely ironic moment by the director and Well done to her, the movie was great by the way.

I guess I could go on, but the only one I will mention in passing here is Erin Daileys short peice in the form of a questionnaire - I didn't think I would like it, and I don't generally find these amusing, but I loved her questions - they have a great modern hilariousness to them for instance, "The guy you liked dumped you because his friend told him to, now he is suddenly interested in you again.....what do you do? I mean when you put it like that don't Bingley and Darcy sound callow?

So the theme of this book is bringing Austen to the modern reader and I think this book does it more than averagely well. There is really no way that you can translate her work from one century to another without loosing something. So these various angles on either explaining it or interpreting it for the modern reader are varied in approach and in success. However I would definitely recommend this to anyone who is interested in Austen. A pretty good attempt.

11 of 11 people found the following review helpful:

5.0 out of 5 stars From the Chicago Sun-Times, September 12, 2005

By	Jean Grant - See all my reviews (REAL NAME)

The more subtly packaged Flirting With Pride and Prejudice (Benbella, $14.95) is a far better choice for serious readers in need of a diversion. Editor Jennifer Crusie neatly sums up this witty collection by describing it as a series of dates with Jane Austen. "Some writers were serious about her, some were looking for a good time and some, frankly, took advantage of her," she writes.

All the writers offer original takes on Austen's work, from "Does This Petticoat Make Me Look Fat?" in which Beth Kendrick explores the pressure on women to live up to societal standards of perfection, to Lawrence Watt-Evans' study, "A World at War," which looks at the looming Napoleonic wars just outside the main action of Pride and Prejudice.

Shanna Swendson's critical essay "The Original Chick-Lit Masterpiece" identifies the key difference between romance novels and chick lit. In chick lit, the handsome man who appears in the first chapter might or might not end up being The One. And Swendson makes a compelling case for Austen's Elizabeth Bennet as a chick-lit heroine, a woman who, even as she hunts for a wealthy husband, displays a wry cynicism about the role of money in romance.

The contributions are uneven, especially the "fan fiction" pieces that imagine new lives and chapters for Austen characters. Jill Winters' "The Secret Life of Mary," in which one of the Bennet girls has a passionate affair with an Irish footman, is brilliant, but others fall flat.

Michelle Cunah offers a rich comic premise -- how the many misunderstandings in Pride and Prejudice might have been avoided with cell phones, if only they'd been invented then -- but fails to deliver a truly Austen-worthy satire. Even the worst selections in Crusie's compilation, though, are far better than the few almost-bright moments in Santini's novel.

And, since each piece is short, you can easily read them during the breaks in your busy schedule of calls to the G-8 finance ministers.

12 of 14 people found the following review helpful:

4.0 out of 5 stars flirting with perfection, September 26, 2005

By	lore (USA) - See all my reviews

Flirting with Pride & Prejudice is both pleasing and disappointing. Some of the essays are quite entertaining and some offer unusual insight that make interesting reading. I found myself laughing out loud while reading a couple of them. A few of them are a dead bore and as I read them I kept wondering why they were included in the collection.

What is missing is Jennifer Crusie's input. I was looking forward to reading what this intelligent and quirky writer has to say about one of my favorite novels--and all she contributed was a brief introduction describing how busy she is and how honored she is to have been selected for the project.