Product Description
The quintessential insider's view of Japan's culture and music. Originally written in Japanese and winner of the Rennyo Award for non-fiction, author Christopher Yohmei Blasdel - an American who has resided in Japan since 1972 - writes about his experiences studying, performing and teaching the traditional shakuhachi bamboo flute. His encounters with various Japanese - from world-famous artists, wealthy patrons, respected scholars to arrogant diplomats - provide thoughtful insight into the Japanese mind. He also demonstrates the universal appeal of the shakuhachi by performing it around the world: in the jungles of Guatemala, the ancient banquet halls of the Republic of Georgia, and the wind-swept Indian reservations of New Mexico.
About the Author
Christopher Yohmei Blasdel, born in Texas, began the shakuhachi and studies of Japanese music in 1972 with shakuhachi master, Living National Treasure Goro Yamaguchi. He received a teaching license and the professional name "Yohmei" from Yamaguchi in 1984. At the same time, he completed graduate work in ethnomusicology at Tokyo University of Fine Arts and Music. A permanent resident of Japan, he has performed, taught and lectured throughout China, Thailand, Europe, North America, Mexico, India, Malaysia and the former Soviet Union and Eastern Europe. He has been a visiting artist in residence at Earlham College, Richmond Indiana, guest professor at the Faculty of Fine and Applied Arts, Chulalongkorn University, Bangkok, invited artist at the Atlantic Center for the Arts, resident of Centrum Arts Center and recently awarded an Asian Cultural Council grant to study the transmission of Thai traditional music. He was an executive director of the Boulder World Shakuhachi Festival 1998 and is the artistic director of the Fukuoka Gendai Hogaku Festival for contemporary Japanese music. His book, "A Shakuhachi Odyssey," written in Japanese, is published by Kawade Shobo Shinsha and was awarded the prestigious Rennyo Award for non fiction. In his musical activities, Blasdel maintains a balance between traditional shakuhachi music, modern compositions and cross-genre work with a great variety of well-known musicians, dancers, poets, and painters, both Western and Eastern. Blasdel presently performs, teaches, and records in Japan and around the world. He works as Advisor to the Arts Program at the International House of Japan, is part-time lecturer at International Christian University and Temple University in Tokyo, teaches privately at the Asahi Culture Center in Shinjuku and writes occasionally for The Japan Times. He holds a second-degree black belt in Aikido. (The International Shakuhachi Society)