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A Good War Is Hard to Find: The Art of Violence in America
 
 
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A Good War Is Hard to Find: The Art of Violence in America (Paperback)

by David Griffith (Author) "THE DAY THE BOMBS STARTED FALLING ON BAGHDAD my Notre Dame jacket, a dark-blue satin jacket with notre dame stitched across the front and a..." (more)
Key Phrases: severed ear, Abu Ghraib, Pulp Fiction, United States (more...)
5.0 out of 5 stars See all reviews (2 customer reviews)

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Editorial Reviews

Product Description
In the wake of Abu Ghraib, Americans have struggled to understand what happened in the notorious prison and why. In this elegant series of essays, inflected with a radical Catholic philosophy, David Griffith contends that society's shift from language to image has changed the way people think about violence and cruelty, and that a disconnect exists between images and reality. Griffith meditates on images and literature, finding potent insight into what went wrong at the prison in the works of Susan Sontag, Anthony Burgess, and especially Flannery O’Connor, who often explored the gulf between proclamations of faith and the capacity for evil. Accompanying the essays are illustrated facts about torture, lists of torture methods and their long-term effects, and graphics such as the schematics of the "pain pathways" in the human body. Together, the images and essays endow the human being with the complexity images alone deny.

Product Details

  • Paperback: 192 pages
  • Publisher: Soft Skull Press; illustrated edition edition (August 15, 2006)
  • Language: English
  • ISBN-10: 1933368128
  • ISBN-13: 978-1933368122
  • Product Dimensions: 7.4 x 5.5 x 0.5 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
  • Amazon.com Sales Rank: #910,771 in Books (See Bestsellers in Books)

Inside This Book (learn more)
First Sentence:
THE DAY THE BOMBS STARTED FALLING ON BAGHDAD my Notre Dame jacket, a dark-blue satin jacket with notre dame stitched across the front and a pugilistic leprechaun on the sleeve-my most prized possession-was stolen out of my locker. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
severed ear
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Abu Ghraib, Pulp Fiction, United States, Will Mayes, Flannery O'Connor, Blue Velvet, Marsellus Wallace, New York Times, Notre Dame, Charles Graner, Civil War, Prime Directive, New Yorker, Clockwork Orange, Francis Bacon, Lynndie England, The Exorcist, Billie Holiday, Bobby Trippe, Guantanamo Bay, Miss Scarlet
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This book cites 16 books:
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6 of 7 people found the following review helpful:
5.0 out of 5 stars Who, How and What We Are, October 12, 2006
Truth in reviewing: I am acquainted with the author of this book, but not acquainted well enough to have known what it would be. I actually expected a novel; we get one writer's reckoning of how America reached the point where its own were humiliating and torturing prisoners at Abu Ghraib apparently for kicks. This is not political spin, it is thoughtful moral discourse, the kind of critical thinking that has gone missing for a long, long time.

When the news and photographs from Abu Ghraib hit the radar, they were quickly packaged and trimmed down to a focus on Michael Graner, Lynndie England and one or two other "bad apples." In fact, Griffith reminds us, the original photographs showed more soldiers along the edges of the sensational activities, appearing casual and even indifferent. The "bad apples" were part of the pack and that pack, Griffith finds in an exploration of American character, are us.

In a series of essays illustrated with deliberately grainy reproductions of the images he discusses, Griffith sorts through American history, his own experiences growing up Catholic as well as close readings of the ideas and works of Flannery O'Connor and Andy Warhol, among others, to probe the psycho-social roots of violence in a land so many argue was founded on Christian teachings. The territory he travels is at once familiar and all new, and what he reveals is sobering. Griffith's voice is engaging, which makes this difficult trip doable, even when he is showing us the ironic complexities of everyday life.
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2 of 5 people found the following review helpful:
5.0 out of 5 stars sublime realities, September 15, 2006
By DALE LUNAN "d r lunan" (syracuse, ny United States) - See all my reviews
(REAL NAME)   
This is a text that when you set it down stays with you. Seemingly disperate events/artifacts from american culture are drawn together abu ghraib becomes only more disturbing. When i opened this book i was disgusted by those images but had a flurry of emotions attributed to them more than anythign else. Now, I am compelled to investigate further how abu ghraib is an expected event for where we are as a people. So, you leave this book knowing that every individual, yourself included, is to blame for abu ghraib, but therefore empowered to prevent it from reoccuring.
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Product Information from the Amapedia Community

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A Good War Is Hard to Find: The Art of Violence in America

Sister Helen Prejan, author of Dead Man Walking, writes of A Good War is Hard to Find: Griffith offers gripping personal testimony to the difficulties of living out the Christian imperatives of love and forgiveness amid a culture that legitimizesgovernment ...

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Created on Mar 09, 2006, last edited on Aug 16, 2006.

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