Rhinoceros (French Edition) (Mass Market Paperback)

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These three great plays by one of the founding fathers of the theatre of the absurd, are alive and kicking with tragedy and humour, bleakness and farce. In "Rhinoceros" we are shown the innate brutality of people as everyone, except for Berenger, turn into clumsy, unthinking rhinoceroses. "The Chairs" depicts the futile struggle of two old people to convey the meaning of life to the rest of humanity, while "The Lesson" is a chilling, but anarchically funny drama of verbal domination. In these three 'antiplays' dream, nonsense and fantasy combine to create an unsettling, bizarre view of society. --This text refers to an out of print or unavailable edition of this title.

Language Notes

Text: French --This text refers to an out of print or unavailable edition of this title.

Product Details

• Mass Market Paperback: 246 pages
• Publisher: Gallimard Education (November 1959)
• Language: French
• ISBN-10: 2070368165
• ISBN-13: 978-2070368167
• Product Dimensions: 6.9 x 4.2 x 0.7 inches
• Shipping Weight: 5 ounces (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon.com Sales Rank: #546,888 in Books (See Bestsellers in Books)

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7 of 7 people found the following review helpful:

5.0 out of 5 stars An stampede of, January 5, 2005

By	bel_78 "Curiosity killed the cat, but satisfa... (Los Angeles, California) - See all my reviews (TOP 500 REVIEWER)

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Euguene Ionesco (1912-1994) was born in Romania, but lived a great part of his life in France. He was an important exponent of what became known as "the Theatre of Absurd", a kind of avant garde theatre that was born more or less in the 1950s and that somehow manages to transmit a message through irrational speech and strange occurrences that take place in what seem at first glance as common situations. Other exponents of this kind of theatre are, for example, Samuel Beckett, Jean Genet and Harold Pinter

"Rhinoceros" was written by Ionesco in 1958, and has a strange plot. The main character is Berenger, a Frenchman who likes to drink a lot. Berenger doesn't seem to mind when a rhinoceros first appears running past his town square, while he is talking with his friend Jean. Everybody else is astounded, but they are truly horrified when the same rhinoceros (or maybe another one) returns and even kills a cat. Even that doesn't shake Berenger, unfortunately. The situation is almost dramatically altered later, when Berenger realizes that many of his acquaintances are turning into rhinoceros without apparent reason. The pertinent questions are quite a few, for instance: will rhinoceros ultimately prevail?. And can an average person resist to conformity, or is the temptation to be like everybody else to big?.

This book can be understood as a metaphore regarding nazism and its diffusion in Germany, and has a lot to do with Ionesco's experiences with the Nazis. However, its main theme is the rise of totalitarism, the kind of behaviour and relativism that takes a country to that, and the dehumanization of those that succumb to conformism (like the human beings that slowly turn into rhinoceros, almost indistinguishable from each other). Due to that, "Rhinoceros" was considered a dangerous play by more than one totalitarism. For instance, the play was to be produced in the URSS, but the government wouldn't allow it to be played if Ionesco didn't say that the rhinoceros were the Nazis and not them. As Ionesco refused to do so, "Rhinoceros" couldn't be played...

On the whole, I can say that I really liked this play. It is interesting, easy to read (yes, without overly difficult vocabulary!!) and has a deeper meaning that shouldn't be lost to us. That is, conformity isn't the answer when an stampede of "rhinoceros" tries to run over us...

Belen Alcat

1 of 1 people found the following review helpful:

5.0 out of 5 stars A Play Relevant to Our Times, May 6, 2007

By	Francophile Texan (Richardson, Texas United States) - See all my reviews

I have long been an admirer of Eugène Ionesco, with his playful wit and keen insights into human nature. This play is certainly among his best. The inspiration for it was the Nazi phenomenon in the Europe of the 20th century, but the theme is timeless, since we are all too prone to follow slavishly whatever movements we encounter in our society. To do so makes us less than human. The play's hero, Bérenger, is full of flaws, but he is paradoxically the only character capable of resisting the allure of the herd mentality. The play not only has a powerful message; it is also lots of fun to read.