Amazon.com Review
Here is a tiny book with big impact. It begins with a fine overview of Hitchcock's filmmaking career. Trim and compact as the book itself, Serge Kaganski's essay covers every major obsession of the director, from the paranoid terrors of
The Lodger and
Blackmail to the dreamlike worlds of
Vertigo and
Marnie. Part 2, which occupies more than 150 of the book's 200 pages, is a series of wonderful posters, stills, and publicity photos. Taken as a whole, this is a terrific introduction to the Hitchcock oeuvre. With words and image, it explains the attraction of the brilliantly talented director better than books four times its size. I can't reproduce the pictures for you here, but I can serve up a taste of Kaganski's enthusiasm:
Suspense is Hitchcock, just as dream theory is Freud, la grandeur is de Gaulle, purges are Stalin, home runs are DiMaggio, genius is Mozart, or Plans are Five-Year. The name Hitchcock has become a sort of trademark, even a term of everyday speech--like Frigidaire or Band-Aid. His name evokes mental images of the innocent and the guilty, of terror and of English humor, of elegant salons and sinister staircases, of breathless action and tormented romance--like an upsurge of the unconscious, a return of the repressed. Not bad for a director whose last shot went into the can more than twenty years ago!
Read, gawk, and enjoy. --Raphael Shargel