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About the Author
This is a study of contemporary experimental approaches to layout - the essence of graphic design. At the heart of Experimental Layout is the sheer breadth of the discipline of graphic design, its adjustments and accommodation, the innovators and their idiosyncrasies.
The theories behind contemporary graphic design are explained by the authors in essays (æSpatial DynamicsÆ, æForm Follows ContentÆ and æWords and PicturesÆ) which provide insights into current debates and the context within which experimental designers work. Interviews with Mark Pawson, Peter Willberg and Ian Warner reveal the processes behind the work, the intentions and motivations.
Ian Noble and Russell Bestley have selected work from around the world which they believe ôis united in its concern to try different and challenging approaches, not for the sake of being different but because it is grounded in differenceö. Diaries, magazines, exhibition catalogs and books are among the work included in Experimental Layout. Projects range from rarely-seen personal projects to large-scale commercial work. In each case, the work questions or extends the boundaries of graphic design.
About the Author
Ian Noble is a respected academic at one of the UK�s leading design schools � the London College of Printing. He is currently Director of both the undergraduate and postgraduate programs within the School of Graphic Design. He and co-author Russell Bestl
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Inside This Book
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First Sentence:
WHY DO WE FIND THE PRINTED FORM SO FAMILIAR? Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
grappa blotto, form follows content, photocopy book, example spreads, spatial dynamics Key Phrases - Capitalized Phrases (CAPs): (learn more)
Mark Pawson, Anne Burdick, Man Ray, Nick Bell, Jan van Toorn, Royal College of Art, Peter Willberg, New York, Die-Cut Plug Wiring Diagram Book, Ken Garland, London College of Printing, Stephen Coates, Justy Phillips, Media Foundation, Stealing Beauty, Walker Arts Centre, Graphic Thought Facility, Jennifer Lee, Lie of the Land, Millennial Diary, Notre Jardin New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | Front Flap | Table of Contents | First Pages | Back Flap | Back Cover | Surprise Me!
WHY DO WE FIND THE PRINTED FORM SO FAMILIAR? Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
grappa blotto, form follows content, photocopy book, example spreads, spatial dynamics Key Phrases - Capitalized Phrases (CAPs): (learn more)
Mark Pawson, Anne Burdick, Man Ray, Nick Bell, Jan van Toorn, Royal College of Art, Peter Willberg, New York, Die-Cut Plug Wiring Diagram Book, Ken Garland, London College of Printing, Stephen Coates, Justy Phillips, Media Foundation, Stealing Beauty, Walker Arts Centre, Graphic Thought Facility, Jennifer Lee, Lie of the Land, Millennial Diary, Notre Jardin New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | Front Flap | Table of Contents | First Pages | Back Flap | Back Cover | Surprise Me!
Citations (learn more)
This book cites 12
books:
See all 12 books this book cites
- Visual Culture: An Introduction by John A. Walker on page 105, and Back Matter
- Typography Now Two: Implosion (No. 2) by Rick Poynor on page 61
- Graphic Edge by Rick Poynor on page 61
- Innovators of American Illustration by Steven Heller on page 61
- Visual Arts by University of Arizona Dept. of Humanities on page 105
See all 12 books this book cites
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