Book Description
Music is an important domain of application for schema theory. The perceptual structures for pitch and timbre have been mapped via schemata, with results that have contributed to a better understanding of music perception. Yet we still need to know how a schema comes into existence, or how it functions in a particular perception task. This book provides a foundation for the understanding of the emergence and functionality of schemata by means of computer-based simulations of tone center perception. It is about how memory structures self-organize and how they use contextual information to guide perception.
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4
books
cite this book:
- Tuning, Timbre, Spectrum, Scale by William A. Sethares in Back Matter
- Music And Altered States: Consciousness, Transcendence, Therapy And Addictions by David Aldridge in Back Matter
- Tonal Pitch Space by Fred Lerdahl in Index
- Music: A Mathematical Offering by Dave Benson in Back Matter
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