Film Architecture: Set Designs from Metropolis to Blade Runner (Architecture & Design) [ILLUSTRATED] (Hardcover)

by David Winton Bell Gallery (Brown University) (Author), Dietrich Neumann (Editor), Donald Albrecht (Editor)

Editorial Reviews

Amazon.com Review
It may be the catalogue for an exhibit mounted first at Brown University, but in the way it explores the set designs of films produced in Weimar, Germany, and later, Film Architecture doesn't read like scaffolding to an event long past. Beginning with oddball stuff like The Cabinet of Dr. Caligari whose tilting, dream-curved sets would appeal equally to Virginia Woolf (who praised its visual shorthand for the nervous metropolis) and the Viennese architect Adolf Loos (who saw the possibilities in its plastic city), the book devotes sections to big-look movies like Fritz Lang's Metropolis, King Vidor's The Fountainhead, and Jacques Tati's Playtime. Each film, the authors argue, further explores the psychologically charged spaces that Dr. Caligari first created, and each eventually incorporates the look of actual cities within its urban visions. As much a collection of photographs of film sets as an examination of Expressionist influences on filmic cityscapes from the 1920s to the near-present, Film Architecture is full of information--for example, that the abiding strangeness of Tati's work in Mon Oncle "elicited furious responses from members of the architectural profession." (Does this happen outside France?) And that Playtime's singular vision of modernity also, in some respects, shapes a film about building developments in Paris, including the glassy Gare Montparnasse and the "infamous Sarcelles" in the 'burbs. With reproductions of sketches for sets and glossy images of darkling cities, the book shows over and over that our love of cities is inseparable from the way movies regularly shade them into our unconscious. --Lyall Bush --This text refers to an out of print or unavailable edition of this title.

Review
"... a fascinating study of movies as the launching pads of avant-garde style." -- New York Times

"... a handsome and valuable contribution to this inexplicably neglected field." -- World Architecture --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Hardcover: 207 pages
• Publisher: Prestel; illustrated edition edition (February 1996)
• Language: English
• ISBN-10: 3791316052
• ISBN-13: 978-3791316055
• Product Dimensions: 12 x 10.2 x 1 inches
• Shipping Weight: 3 pounds
• Average Customer Review: 4.2 out of 5 stars See all reviews (4 customer reviews)
• Amazon.com Sales Rank: #1,637,911 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

15 of 16 people found the following review helpful:

4.0 out of 5 stars Visions of the (near?) future from past & present films, June 30, 1998

By	M. Cosner (Raleigh, North Carolina) - See all my reviews (REAL NAME)

Interesting, if a bit wordy, book explaining some of the thought processes that went into designing films of the near-future / alternate reality variety. This book would have much better had more illustrations/photographs been included.

8 of 9 people found the following review helpful:

5.0 out of 5 stars Should Be Standard-Issue For Production Designers!, December 21, 2003

By	Andrew Duncan (Riverdale, GA USA) - See all my reviews (REAL NAME)

This review is from: Film Architecture: Set Designs from Metropolis to Blade Runner (Paperback)

With a degree in architecture and a decade in the film industry I was delighted to wander across a book that brought both disciplines together in a language that students of both crafts might understand. The collection of essays provide access to the design decisions that faced the Production Designers of films from the dawn of "designed" cinema in the 1920's to the doorstep of filmmaking in the 1990's.

If you find this book "too wordy" then chances are that this isn't the book for you as it is studied, researched and filled with images that most film fans have never before seen. It is a glimpse into the thought processes and schedule demands that shape the final look of a film.

This book should be highly sought by fans of design and film alike.

3 of 3 people found the following review helpful:

3.0 out of 5 stars An interesting book on an ignored aspect of filmmaking, January 14, 2002

By	Jason M. Silverman (Dublin, Ireland) - See all my reviews (REAL NAME)

This review is from: Film Architecture: Set Designs from Metropolis to Blade Runner (Paperback)

If you are fascinated by film or archetecture, you ought to find this book of interest. Many great pictures, interesting anecdotes and perspectives beyond the "typical" film analysis.