The Isenheim Altar: Suffering and Salvation in the Art of Grunewald by Gottfried Richter
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Editorial Reviews
From Library Journal
Among the stellar artists of the German Renaissance, none surpasses the inadequately esteemed painter Matthias Grvnewald (d. 1528). Known principally for his hauntingly intense Isenheim altarpiece, he is so poorly documented that even his name is apparently incorrect. Ziermann, a former newspaper editor and correspondent, not only synthesizes the relatively little that is known about the artist but also provides a handsomely illustrated compendium of the modest oeuvre of surviving paintings and drawings. Though the text includes effective analyses of the works, it is marred by scholarly disputations better relegated to footnotes. Equally disconcerting are occasional irrelevant excursuses, awkward biblical citations, editorial gaffes, and irksomely reiterated iconographic errors. Perplexing, too, is the book's failure to go beyond the formal and iconographic details of the Isenheim altarpiece to assay its functional and iconological significance in the context of its time and place. While this is not the ideal introduction, the lack of anything better in English makes this volume a recommended acquisition. Robert Cahn, Fashion Inst. of Technology, New York
Copyright 2001 Reed Business Information, Inc.
Book Description
Famous, above all, for his awe-inspiring Isenheimer Altarpiece, Matthias Grunewald was one of the great Renaissance visionaries and has exerted a lasting influence on European painting. This book presents Grunewald's oeuvre from the early paintings and drawings through his major masterpieces, the altarpieces in Frankfurt, Isenheim, Aschaffenburg and Mainz up to his last works, and also includes an up-to-date catalogue of paintings and drawings definitively attributed to the artist.
See all Editorial Reviews
Among the stellar artists of the German Renaissance, none surpasses the inadequately esteemed painter Matthias Grvnewald (d. 1528). Known principally for his hauntingly intense Isenheim altarpiece, he is so poorly documented that even his name is apparently incorrect. Ziermann, a former newspaper editor and correspondent, not only synthesizes the relatively little that is known about the artist but also provides a handsomely illustrated compendium of the modest oeuvre of surviving paintings and drawings. Though the text includes effective analyses of the works, it is marred by scholarly disputations better relegated to footnotes. Equally disconcerting are occasional irrelevant excursuses, awkward biblical citations, editorial gaffes, and irksomely reiterated iconographic errors. Perplexing, too, is the book's failure to go beyond the formal and iconographic details of the Isenheim altarpiece to assay its functional and iconological significance in the context of its time and place. While this is not the ideal introduction, the lack of anything better in English makes this volume a recommended acquisition. Robert Cahn, Fashion Inst. of Technology, New York
Copyright 2001 Reed Business Information, Inc.
Book Description
Famous, above all, for his awe-inspiring Isenheimer Altarpiece, Matthias Grunewald was one of the great Renaissance visionaries and has exerted a lasting influence on European painting. This book presents Grunewald's oeuvre from the early paintings and drawings through his major masterpieces, the altarpieces in Frankfurt, Isenheim, Aschaffenburg and Mainz up to his last works, and also includes an up-to-date catalogue of paintings and drawings definitively attributed to the artist.
See all Editorial Reviews
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