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Editorial Reviews
From Booklist
What makes the Disney Studio feature films produced between 1937 and 1967, including Snow White and the Seven Dwarfs, Alice in Wonderland, Pinocchio, and Fantasia, "masterpieces of animation"? One pivotal factor was reliance on an ardently assembled studio library of "iconographic sources." Art historian and curator Girveau and his contributors elucidate the tremendous influence European fables, fairy tales, illustrations, and paintings had on Walt Disney and his studio artists. Works by Heinrich Kley, Pieter Bruegel, Gustave Doré, Honoré Daumier, Arthur Rackham, Lewis Carroll, and Beatrix Potter are juxtaposed with stills from the films, and, even more pleasingly, remarkably expressive preliminary drawings by such talented (and shrewdly well-trained) Disney artists as Mary Blair, Gustaf Tenggren, and Kay Nielsen. One intriguing chapter covers the short-lived collaboration between Disney and Salvador Dalí in the mid-1940s, a project resurrected by Disney's nephew Roy, in 2003, while another showcases the use of Disney characters in pop art and contemporary works, thus bringing the exchange between high and low art full circle. This gorgeous and revealing volume deepens appreciation for Disney's brilliant, imaginative, and indelible creations. Seaman, Donna
Book Description
See all Editorial Reviews
What makes the Disney Studio feature films produced between 1937 and 1967, including Snow White and the Seven Dwarfs, Alice in Wonderland, Pinocchio, and Fantasia, "masterpieces of animation"? One pivotal factor was reliance on an ardently assembled studio library of "iconographic sources." Art historian and curator Girveau and his contributors elucidate the tremendous influence European fables, fairy tales, illustrations, and paintings had on Walt Disney and his studio artists. Works by Heinrich Kley, Pieter Bruegel, Gustave Doré, Honoré Daumier, Arthur Rackham, Lewis Carroll, and Beatrix Potter are juxtaposed with stills from the films, and, even more pleasingly, remarkably expressive preliminary drawings by such talented (and shrewdly well-trained) Disney artists as Mary Blair, Gustaf Tenggren, and Kay Nielsen. One intriguing chapter covers the short-lived collaboration between Disney and Salvador Dalí in the mid-1940s, a project resurrected by Disney's nephew Roy, in 2003, while another showcases the use of Disney characters in pop art and contemporary works, thus bringing the exchange between high and low art full circle. This gorgeous and revealing volume deepens appreciation for Disney's brilliant, imaginative, and indelible creations. Seaman, Donna
Book Description
The origins of Disney's masterpieces and the works the studio in turn inspired are the subject of this lavishly illustrated book.
While the works of Walt Disney rank among the icons of American mass culture, it is easy to forget that Disney's characters and stories were inspired by original works of art. Now the sources that motivated Disney's imagination--and the artists that his studio in turn influenced--are brought to light. From the launching of the Walt Disney Company until the founder's death in 1967, this book includes more than 300 original works selected from the Disney archives and from private collections, together with paintings, sculptures, drawings, photographs, and film stills.
Here Disney fans will discover the fairy tales behind Sleeping Beauty and Snow White; they'll learn that Pinocchio's village was modeled on the mediaeval city of Rothenburg in Bavaria; that Bambi's forest took its inspiration from fifteenth-century Chinese painting; that Dumbo's bird's-eye views drew on the work of Grant Wood and Thomas Hart Benton. One chapter is devoted to the mutually admiring relationship between Salvador Dali and Disney. Finally, the book looks at the myriad ways in which Disney's products became source materials for modern and contemporary artists, including Prokofiev and Leopold Stokowski as well as Christian Boltanski, Bertrand Lavier, Peter Saul, and Gary Baseman. A wonderful sourcebook for Disney enthusiasts, this colorful volume offers a unique perspective on the often-overlooked links between highbrow and popular culture.
See all Editorial Reviews
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