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Superflat (Japanese Edition)
 
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Superflat (Japanese Edition) (Paperback)

by Takashi Murakami (Author)
4.0 out of 5 stars See all reviews (4 customer reviews)


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Product Details

  • Paperback: 172 pages
  • Publisher: Madora Shuppan (November 2000)
  • Language: English, Japanese
  • ISBN-10: 4944079206
  • ISBN-13: 978-4944079209
  • Product Dimensions: 11.8 x 9.1 x 1 inches
  • Shipping Weight: 1.9 pounds
  • Average Customer Review: 4.0 out of 5 stars See all reviews (4 customer reviews)
  • Amazon.com Sales Rank: #448,930 in Books (See Bestsellers in Books)

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4 Reviews
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Average Customer Review
4.0 out of 5 stars (4 customer reviews)
 
 
 
 
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13 of 14 people found the following review helpful:
5.0 out of 5 stars Postmodernism at its finest..., April 29, 2005
By Andrew C. Raymond (Greensboro, NC USA) - See all my reviews
(REAL NAME)   
Murakami's "Superflat" is an essay (in both visual and verbal terms) in which he ties current, commercially viable art production (manga, anime, and Neo Pop) to its roots in the late Edo period paintings of artists like Ito Jakuchu and Katsushika Hokusai. He espouses the aesthetic similarities (the interest in decoration and the emphasis on the flatness of the picture plane) as well as the commercial similarities (these earlier artists were print makers and produced large runs of their work for sale to the general public).
This blurring of the boundaries between high and low art is a hot-button topic in art historical circles today, both in Japan and the West. With this exhibition catalogue Murakami has created a statement as strong as the body of work created by his Western contemporaries, Jeff Koons and Damien Hirst.
This is a fine catalogue that creates fascinating links between the past and present in Japanese artistic production. A must for anyone looking to challenge their preconcieved notions of what Art's place is in today's thoroughly globalized and capitalist world.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Good, January 6, 2007
Superflat is composed of about one-half essays, mostly by Murakami, and one-half pictures of art and pop culture images. There is a 'manual' to the images with a few paragraphs on each artist, which is helpful for the layperson. The layout is excellent on the images, and I found them fascinating. The essays are all a little heavy, but rewarding if you put in the time to read them closely. If you're interested in looking at or understanding Japanese art today, I would highly reccomend this book.
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5 of 7 people found the following review helpful:
5.0 out of 5 stars Super Flat, January 15, 2006
By Thentro (minneapolis, MN United States) - See all my reviews
Murakami is an interesting character and his work and manifesto is a must read for those interested in contemporary art, Japanese or otherwise. This book is beautifully printed and will be of great interest especially to those with a Japanese art history back ground. No matter if you agree with his views or not.

seer "Japna" must be a very bitter person to think he/she has the corner on Japanese art. I would ignore that cap's filled rant...
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1.0 out of 5 stars Mark Kostabi goes to Japan
Murakami presents a suspicious hype on a flawed and updated orientalism. If one actually reads the essay they will see the thin "Weenie Mentality" of this seriously flawed... Read more
Published on April 7, 2005 by seer

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