Product Details

• Actors: James Dean, Raymond Massey, Julie Harris, Burl Ives, Richard Davalos
• Directors: Elia Kazan
• Writers: John Steinbeck, Paul Osborn
• Producers: Elia Kazan
• Format: Closed-captioned, Color, NTSC
• Language: English
• Rating: PG (Parental Guidance Suggested)
• Number of tapes: 1
• Studio: Warner Home Video
• VHS Release Date: December 9, 1994
• Run Time: 115 minutes
• Average Customer Review: 4.6 out of 5 stars  See all reviews (98 customer reviews)
• ASIN: 6300267865
• Amazon.com Sales Rank: #6,772 in Video (See Bestsellers in Video)

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Editorial Reviews

Amazon.com essential video

East of Eden is an acknowledged classic, and the starring debut of James Dean lifts it to legendary status. John Steinbeck's novel gave director Elia Kazan a perfect Cain-and-Abel showcase for Dean's iconic screen persona, casting the brooding star as Cal, the younger of two brothers vying for the love of their Bible-thumping father (Raymond Massey) in Monterey, California, at the dawn of World War I. Massey is a lettuce farmer, striving for market domination with an ill-fated refrigeration scheme. Having discovered that his presumed-dead mother (Oscar^® winner Jo Van Fleet) is a brothel owner in nearby Salinas, Cal convinces her to finance an investment that will restore his father's lost fortune, but neither money nor the tenderness of his brother's fiancée (Julie Harris) can assuage Cal's anguished need for paternal acceptance that comes nearly too late. Kazan's oblique camera angles and Dean's tortured emoting may seem extreme by latter-day standards, but their theatrics make East of Eden a timeless tale of family secrets and hard-won affection. --Jeff Shannon

Customer Reviews

Most Helpful Customer Reviews

20 of 20 people found the following review helpful:

4.0 out of 5 stars Haunting view of a young man in pain, March 18, 2003

By	Get What We Give (Georgia) - See all my reviews (TOP 1000 REVIEWER)

Elia Kazan's "East of Eden" is based on the John Steinbeck novel of the same name. It is a modern tale of Kane and Abel.

While the film is certainly fantastic, probably its greatest claim to fame is that it was James Dean's first film. It is rare, today, that we see a novice young actor (remember Dean was only 22 when this movie was made) secure a leading role in a high profile drama - as this was - and then nail it so well that critics everywhere fell under his spell. Prior to this film, Dean had only made a handful of commericials, television appearances, and one or two worthwhile theatrical roles.

In an era when "screenplay" meant acting for the screen and playing it for the last row, Dean, Clift, and (personally, regrettably) Brando, were the only actors out there playing for reality.

Dean's Cal is a tortured youth, who has never won his strict father's (the formidable Raymond Massey) acceptance and desperately seeks to do so. His brother, Aaron (played by Dick Davalos), is obviously favored by the father and this further salts the wounds that Cal carries. Julie Harris plays Aaron's fiance as a fawning and often obsequious girl, which can be a bit more than off putting at times.

Joan Van Fleet portrays Cal and Aaron's "dead" mother. Rather than suffer the embarrassment of admitting his failures as a husband, father, and man, the boys' father tells them and everyone else that their mother long ago died. In truth she has been running a bordello in the next town.

Through a series of machinations, Cal meets his mother, and asks for her assistance in winning over his father. The plot fails miserably for Cal, setting off a chain of events from which no one can return.

Dean's performance - the only one to be seen while he was alive - registered off the Richter scale with the youth of the 1950's. Never before had they seen someone their age portray someone their age in such a believable manner. He became an instant star.

As is typical, Hollywood has attempted to remake this film several times, and did so failingly. While the acting often can seem over the top, no one has ever been able to capture the lightning in a bottle that Kazan did with his amazing cast in this truly classic film.

21 of 22 people found the following review helpful:

5.0 out of 5 stars DEEP & HAUNTING., August 26, 2002

By	"scotsladdie" (GLENDALE, CALIFORNIA) - See all my reviews (TOP 500 REVIEWER)

I first watched this movie on television when I was about 16, because I wondered what all the fuss was about James Dean. I soon found out: he was so unbelievably natural in his acting technique that the audience is captivated by his brilliance. This was Dean's film debut and he burst like a thunderclap in the public's ears, not to mention staid Hollywood, which came to both fear and admire the handsome, rebellious youth. In this haunting John Steinbeck tale, Dean is the neurotic half of twin sons belonging to Bible - reading lettuce farmer Raymond Massey, whose vast acreage stretches through the rich Salinas Valley in California. Aron (Davalos, in another powerful debut) is the well-adjusted upstanding son whose normal relationship with his girlfriend and his diligent pursuit of continuing his father's legacy is admired by the patriarch. Cal is very different from his brother and the troublesome youth mistakenly believes his father doesn't love him. A haunting scene has Dean introduce Davalos to their supposedly dead mother. The boys were brain-washed by their father into believing their mother Kate was some sort of angel: the truthful realisation that she's a financially successful Madam who operates a whorehouse in Monterey causes Davalos to become deeply traumatised. Many people will feel empathy for BOTH brothers during this powerful scene: it shows us that Cal is, if anything, REAL while his brother is somewhat sheltered and idealistic in comparison. The performances are all splendidly colourful and absorbing: Dean is unforgettable as Cal - for whom the audience feels empathy - Julie Harris is fine as Abra (she succumbs to Cal's raw sexuality) and Jo Van Fleet is excellent as the tough yet essentially tender-hearted tubercular Kate who likes her boy Cal because he "has sense" as she believes she does. Raymond Massey is fine as the puritanical father, Adam. Burl Ives is memorable as Sam: he quotes the Biblical passage which includes the picture's title. Some critical snobs say that the film was over-directed by Kazan but it made Dean an over-night sensation who acted with a unique naturalistic style and died a legend at the tender age of 24.

41 of 48 people found the following review helpful:

5.0 out of 5 stars Thank you, February 3, 2004

By	Robert Morris (Dallas, Texas) - See all my reviews (TOP 50 REVIEWER)    (REAL NAME)

Note: The review that follows was written more than two years ago. Fortunately, this superb film is now available in a DVD format. Thank you to those resposible for an overdue but nonethrless most appreciated provision. That said, as for the review itsdelf, I still have the same opinions it expresses.

It has been (hard to believe) 52 years since this film first appeared, in the same year during which Rebel Without a Cause was also released. Both feature James Dean. I have often wondered to what extent his unique and abundant talents as an actor would have developed, had he not perished in a car accident immediately after the filming of Giant had been completed. Of course, we will never know. His was a compelling presence in each of only three films and especially so in East of Eden in the role of Cal Trask.

The basic story is derived from the Biblical account of Cain and Abel. Adam Trask (Raymond Massey) has two sons, both of whom he presumably loves. However, he favors Aron (Dick Davalos) because he (unlike Cal) never says or does anything to irritate him. Aron is "the good son," complete with a girlfriend Abra (Julie Harris) whom his father obviously adores. Of course, Cal feels resentment toward both his father and brother. He desperately wants his father's love. (Later in the film, he even tries to buy it with profits he earns from investments enriched by World War One.) Under Elia Kazan's brilliant direction, tensions build relentlessly to what seems certain to be a tragic conclusion. Feeling rejected by his father, Cal seeks out his mother who left her husband and sons years ago. Kate Trask (Jo Van Fleet) now owns and manages a brothel in another town nearby and has become wealthy. Cal climbs aboard a freight train so that he can visit her frequently. Over time, they develop mutual respect and affection. Finally the climatic moment occurs and then....

The acting throughout the cast (with one exception) is outstanding. Van Fleet received an Academy Award for best actress in a supporting role and Dean was also nominated for the award as best actor in a leading role. Burl Ives and Albert Dekker are noteworthy in their supporting roles. However, Julie Harris (age 30 at that time) seems to me miscast as the teenage Abra. As for Massey, he does the best he can with the role of Adam Trask, recycling elements of his earlier portrayal of John Brown in Sante Fe Trail. Most of Steinbeck's fiction is set in the Monterey area, as is East of Eden. Kazan and his cinematographer, Ted D. McCord, took full advantage of that uncommonly lovely area when shooting various exteriors.

I welcome the DVD version of East of Eden.