Most Helpful Customer Reviews
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14 of 15 people found the following review helpful:
4.0 out of 5 stars
Unjustly Forgotten Classic, February 25, 2000
This movie isn't without its faults -- find me one that isn't -- but as one of the earliest movies about a woman taking her life into her own hands, it stands as one of the all-time greats. Compare this to the much better known "Thelma and Louise," in which two women, merely bored, take off on their own and wreak a path of destruction for no other purpose than to prove they can. By contrast, Shirley Knight's character is suffering real and believable angst for a concrete purpose, and actually does something about it. Even minor characters are three-dimensional, and it's interesting to see James Caan and Robert Duvall before they settle into the predictable stock roles that continue to dominate their careers. Watch the credits closely -- this was one of George Lucas' first movies.
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9 of 9 people found the following review helpful:
4.0 out of 5 stars
Overlooked early Coppola effort, December 18, 1999
A brilliant character study of a pregnant woman who runs out on her husband and hits the road with no destination in mind. Years ahead of its time with its feminist viewpoint, this early Coppola film is sadly one of his least viewed. Shirley Knight is excellent as the troubled woman and James Caan is perfect as killer, a brain damaged ex-football player who Knight ends up befriending. The Rain People is a good example of 70's cinema when characters mattered more than special effects or action-packed plots.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars
Devastating portrayal of freedom and responsibility, December 23, 2005
Shirley Knight plays a young Long Island housewife who finds herself pregnant and unsure she wants the child. She bolts out the door and hits the road in a station wagon. She feels trapped in her life and decides to break out by picking up a hitchhiker, James Caan. He turns out to be a brain-damaged ex-football player who can hardly fend for himself. She feels responsible for him, can't dump him - so her bolt for freedom becomes a very real restraint on her life. That, of course, is the main point of the movie, which was written and directed by Francis Ford Coppola - a good theme for sure, and for the most part done well, despite our being hit over the head with it to make sure we get it.
Caan is excellent as the deadhead; Knight is good, too, but hardly a sympathetic character. This was one of the first of many movies about women questioning their roles in society, and one of the better ones because of its emphasis on responsibility. The ending is shattering and ironic, with Caan dying in Knight's arms after trying to "save" her from what he thinks is an attack on her by a cop (played by Robert Duvall). The movie has sticking power and does not evaporate from the mind like many movies do.
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