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44 of 51 people found the following review helpful:
5.0 out of 5 stars
Want to know what all the fuss is about? start here., September 9, 2000
I remember taping this off the TV when I was fifteen (that's fifteen years ago, folks) because all my school mates trendily professed a great love of Hendrix, and I had never really understood what all the fuss was about. Let's face it, if you pull up a chair and listen to your average Hendrix record, it's pretty difficult to appreciate what's the big deal: his technique might have been groundbreaking at the time, but it's been a long thirty years in Rock 'n' Roll, and there have been a lot of guitar players producing a lot of pretty crazy stuff ever since.But somehow, seeing it happen in front of you causes the scales to fall from your eyes, and the interviews with the likes of one-time girlfriend Fayne Pridgeon, two hilarious hipsters from Greenwich Village, Eric Clapton, an Elvis-suited, overweight Lou Reed and most amusingly of all, a heavily stoned and bechecked-suited Pete Townsend, make for a fascinating documentary which puts Hendrix's legacy slap bang back into context, and gives a fascinating window into life in 1973 at the same time. But what is truly great about this documentary is how it sacrifices neither background context nor music: as well as the interviews there is no shortage of footage of Hendrix live and in the studio. The band's stunning performance at Monterey is well represented, with full takes of Hey Joe, the barn-storming version of Dylan's Like a Rolling Stone (Jimi adored Bob Dylan) and of course the famous guitar sacrifice during Wild thing are reproduced in full for your viewing pleasure. Also featured are legendary moments such as the Star-Spangled Banner at Woodstock, the studio take, on twelve-string, of "Hear My Train A Comin'", and "Machine Gun" from the Filmore East show with the Band of Gypsies. Away from his stratocaster Hendrix comes across as a surpisingly delicate, almost shy, figure. Asked in a chat show whether he recieved hate-mail following his "unconventional" rendition of the national anthem he looks genuinely baffled, and replies "what are you talking about? Unconventional? I thought it was beautiful" to an explosion of applause from the studio audience. If, like I did, you missed Hendrix first time round, then you couldn't ask for a better primer now. Compulsive viewing.
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