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116 of 139 people found the following review helpful:
5.0 out of 5 stars
most misunderstood of all modern movies, February 24, 2004
While the film is not as authentic as the upcoming "The Passion of the Christ" (where Aramaic is used), it was much more realistic and gritty than previous film portrayals. What really adds to the drama of the film is the soundtrack by Peter Gabriel.Having received 12 years of Catholic school education, culminating when this film was released, I was amused to read the incredible outpouring of emotions by narrow-minded Christians against this film, both at the time is was released and in the reviews. To me, a sure-fire sign of narrow-mindedness is their utter inability to appreciate art for what it is and the fact (evident from their reviews) that they have not even seen the movie. My faith was not so weak as to refuse to entertain artistic explorations and alternative viewpoints. Although not wholly based on the scriptures, the theme of this film IS based more upon the very nature of Jesus Christ himself. That is, the film and the book both attempt to dramatically explore the contradictions associated with the dual identity of Jesus as both God and man - a schitzophrenic combination indeed. SPOILERS AHEAD: In this film, Jesus as man resists God's call, at age 30, to take up his role as spiritual savior. Jesus-as-man IS tempted by his own thoughts and doubts (manifested by Satan), the last temptation occuring in a stupor as he hangs dying on the cross - the opportunity of becoming all man. This post-death illusion sequence, where Jesus goes on to marry Mary Magdeline and see the dire consequences of such a course of action, covers the last 3rd or so of the film. What is most interesting is the confrontation between Jesus and Paul, the latter of whom is the most signficant evangelical Christian of all time - which turns out to be an express of the argument that the idea of Jesus Christ as savior may have been more important (at least politically) that the historical facts. In any case, for those who find this sequence blasphemous, they need to remember that it is a DREAM. (e.g., The crowds are still cheering at the cross as he is taken down by a lovely little girl.) In the end, Jesus triumphs over the evil of human frailty to assume his position in Christian beliefs. Other interesting factors include the expanded role of Judas (played here by Harvey Kietel), as Jesus' true right-hand man. In an interesting twist, Judas is at least as interested in political revolution as a spiritual one, and Jesus manipulates Judas' anger and convinces him to turn Jesus in for persecution. In any case, I give it a firm thumbs up. Too bad that this is too expensive for any casual observer to pick it up on DVD, though.
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