Most Helpful Customer Reviews
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17 of 17 people found the following review helpful:
5.0 out of 5 stars
Still Great Contemporary-Feeling Western Classic in a Robust DVD Package Heavy on Extras, June 29, 2006
It amazes me how incredibly well this 1969 western has held up after all these years. At once classically structured and satirically executed, director George Roy Hill and screenwriter William Goldman have pulled together a supremely entertaining period picture that caters to contemporary sensibilities to this day. It is to their credit that the film remains true to the characters and never gets too broad during its quickly paced 110-minute running time. The story naturally revolves around the legendary outlaws who robbed banks at the turn of the last century. Their escapades are divided roughly into three sections in the film. The first is the introductory set-up where their opposite yet complementary personalities are established. Leading the motley Hole in the Wall Gang, they ultimately pull off a train robbery with an excess of dynamite. The second part is an extended chase sequence where Butch and Sundance are chased relentlessly by a group of unknown bounty hunters.
The third and final part details their escape to Bolivia where they are determined to go straight but get caught up with local bandits and find their infamous past catching up with them. It seems inconceivable to have anyone other than Paul Newman and Robert Redford in the title roles. As the more established star at the time, Newman is characteristically laconic as Butch. His innate likeability is enhanced by his rascally manner and crack comedy timing. In the more traditional gunslinger role, Redford provides the ideal partner with his flinty manner and unavoidable charisma. In between them is Katharine Ross, fresh from "The Graduate", who plays Etta with sensual élan, though she does not figure in the most critical scenes. Of course, Burt Bacharach's instantly recognizable musical score is here, and while there is an anachronistic feel to such 1960's-sounding pop music over a western, it somehow works because the attitude of the film seems so modern. Even the comically romantic bicycle sequence manages to preserve its buoyancy thanks to the inane but undeniably catchy "Raindrops Keep Fallin' on My Head".
Conrad Hall's vibrant, burnished cinematography deserves special mention as it has been preserved well in the 2006 Ultimate Collector's Edition DVD package. The rest of the two-disc package is robust though bordering on overkill, adding on to the features that were already included in the previous 2000 Special Edition DVD. Retained from that edition is the interesting combination of perspectives provided by Hill, Hall, lyricist Hal David and associate producer Bob Crawford in their joint commentary track. New is separate and equally insightful commentary from Goldman. Another holdover from the previous edition is the forty-minute vintage documentary, "The Making of Butch Cassidy and The Sundance Kid", a still terrific featurette from 1970 with participation from Newman, Goldman, Hill and Redford.
There are three new documentaries - a 2005 retrospective look at the film called "All of What Follows is True: The Making of Butch Cassidy and the Sundance Kid"; a fact-check featurette called "The Wild Bunch: The True Tale of Butch & Sundance"; and the somewhat repetitive "History Through the Lens: Butch Cassidy and The Sundance Kid: Outlaws Out of Time", a cumulative effort which combines elements of all the other documentaries into one ninety-minute feature. Lots of great insight is provided on the 1994 interviews with Newman, Redford, Ross, Goldman and Bacharach. A deleted scene is also included with Hill's commentary (since the audio had been lost) - it is a disposable transitional scene where Butch and Sundance are watching newsreel footage of themselves in a Bolivian theater while Etta quietly leaves to the train station. Lastly, there are trailers for eight of Newman's vintage films. This is definitely a robust package for one of the great films of the 1960's.
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18 of 19 people found the following review helpful:
2.0 out of 5 stars
Great movie - terrible restoration!, June 14, 2008
This disc ranks right up there with one of the worst Blu-ray transfers I own (along with the first Stargate release). It is a shame, as this is a really great and fun movie. It is one of the first westerns I recall that really interspersed humor with drama in an effective way. I thought it tried to be a bit too much or to have something for everyone (the bicycle scene went on a little long for my taste, for example). Audio is fine but the failure to produce a really outstanding video transfer (as was done with Patton recently) will disappoint the many fans of this movie who were eagerly awaiting this release.
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26 of 31 people found the following review helpful:
5.0 out of 5 stars
Redefined The Western Genre, June 8, 2003
I know, I know. . .many can take issue with the title above. Consider Sergio Leone's "spaghetti" Westerns, or Sam Peckinpah's brutal "The Wild Bunch." Both directors broke ground, but in my very humble opinion neither had the same impact on the genre that director George Roy Hill commanded when BUTCH CASSIDY AND THE SUNDANCE KID hit the big screen in 1969. This film took a Western and injected it with a healthy dose of pop culture. The soundtrack bears this out--even to the point of treating us with the pre-MTV music video, "Raindrops Keep Falling On My Head." Ever see a John Wayne movie of the Sixties that had jazz singers humming the soundtrack? Didn't think so. Even more compelling is the story, a story about two bank robbers trying to hang onto the Old West in a rapidly changing world. They're outlaws, but they're the "good guys," totally likeable and captivating. The viewer is pulling for them to escape the law, plan their next move, rob another day. The ending is inevitable, yet tastefully and poignantly done. Much has been made about the chemistry between Paul Newman (Butch Cassidy) and Robert Redford (Sundance)--and rightfully so. The dialogue, banter, timing between these two wonderful actors is flawless, brilliant, overwhelming. There are classic lines ("Who are those guys?") and scenes (Butch's "rules" for a knife fight) that will live in cinematic lore forever. Katharine Ross as Etta Place ("I'm 25, single, a schoolteacher, and that's the pits.") is a wonderful addition to the cast as Sundance's girlfriend and soulmate to both outlaws. Equally innovative was the film's cinematography--starting in grainy black and white and changing to vivid color as Butch and Sundance ride over breathtaking scenery. BUTCH CASSIDY AND THE SUNDANCE KID ushered in the contemporary Western, and I'm darned glad it did.
--D. Mikels
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