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31 of 31 people found the following review helpful:
5.0 out of 5 stars
Terrific DVD showcase for eye-popping Bava beefcake epic, September 9, 2002
Fantoma's DVD release of Mario Bava's Hercules in the Center of the Earth ought to elevate his stature in the film world, if not as a "serious" movie director, then certainly as one of the cinema's most talented and artistic lighting cameramen/cinematographers. The story is fairly generic muscleman stuff and the acting is competent if unexceptional (although three-time Mr. Universe Reg Park definitely has a believable physical presence as Hercules); what really sets this movie apart from virtually any other peplum flick are Bava's neon-hued Technicolor visuals, which at times border on the hallucinatory. Throughout most of the movie he tosses off shot after stunning shot, many only a few seconds long, nearly every one impeccably lit, artfully composed, and accented with vibrant color. Bava's interweaving of light, shadow, color, and sometimes literal "smoke and mirrors" to define space, mood, and even character is consistently impressive, even more so after reading the liner notes describing how little he had to work with. Cool sequences and striking set-pieces abound, including Deianira rising from her sarcophagus and floating across the room (like Lon Chaney in Son of Dracula); Hercules's eerie visits with the sibyl; the psychedelic ocean vistas on the voyage to the Hesperides; Lyco (Christopher Lee) reflected in a pool of his victim's blood; the flying ghouls rising from their slimy crypts (which must have given nightmares to the kiddie matinee crowd in 1964); and the climactic showdown between Hercules and Lyco, shot in an atmospheric Roman grotto. There's almost too much to appreciate in a single viewing. While I'm not normally a huge fan of sword-and-sandal flicks (though I did watch lots of them on Saturday afternoons as a kid), and I could've done without the `comedy relief' character, I still have to strongly recommend this movie not only to fans of Bava's other movies (particularly Planet of the Vampires), but also anyone who simply appreciates breathtakingly beautiful color cinematography.
Fantoma's DVD is transferred in its original 2.35:1 aspect ratio and anamorphically enhanced, from a virtually pristine Technicolor print of the original Italian-language dub. There is only the lightest of speckling evident; otherwise it's crisp and clean, with lush, richly-saturated color, and excellent contrast and detail. Optional English subtitles are included, as well as the (continental) English-dubbed soundtrack. Unless you're extremely subtitle-phobic, I recommend the Italian-language soundtrack with the subtitles. The English dubbing gives the film a campier, less serious tone and often renders the dialogue much more prosaically than the subtitles (example: Hercules's final words to Deianira in the subtitled version, "Man's love is passionate, but often inconsistent. Ours will last forever"; in the English dub, "As long as Theseus steals other men's girls, I have nothing to worry about.") Unfortunately we don't get to hear Christopher Lee's actual voice in either version. The DVD also includes excellent Tim Lucas liner notes; a gallery of approximately 45 color and B&W stills, posters, and ad mats; and a comparatively rough-looking trailer, matted to about 1.66:1 and suffering from medium to heavy scratching and lining, poor color, and merely acceptable sharpness and detail. The film is broken into 16 chapter stops and the Dolby 2.0 mono sound is full and clear. The definitive edition of an unmercifully neglected film.
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12 of 12 people found the following review helpful:
4.0 out of 5 stars
Atmospheric silliness, November 23, 1998
Most of the Italian Hercules movies made during the '60s were silly sword & sandal sagas. And so is this one. But, as directed by the great Mario Bava, it's also an atmospheric exercise in cinematic style. The photography is great, the special effects are innovative, and Bava uses colour as strikingly here as he did in Baron Blood. Christopher Lee makes a great villain, too. So what if the silly storyline wanders far afield from its mythic origins? The weird flying zombies alone are worth the price of admission.
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10 of 10 people found the following review helpful:
5.0 out of 5 stars
Bava's peplum epic, March 10, 2004
Italian director Mario Bava (1914-1980) is one of the giants of the horror film genre. Bava's big break into the field came with his 1960 black and white classic "Black Sunday" starring Barbara Steele. This was only the beginning, as Bava churned out a series of gruesome shockers over the next seventeen years; his films always promised great style mixed with scenes of murder and mayhem. Perhaps Mario's biggest contribution to the horror genre was his 1972 picture "Twitch of the Death Nerve," also known as "Bay of Blood." It doesn't take too long to realize "Friday the 13th" shamelessly cribbed from this slasher bloodbath. At least two of the murders in the film appear almost unchanged in the first installment of the Jason Voorhees franchise. That's right-- Mario Bava gave birth to the modern slasher film. But he also dabbled in non-horror films with projects like "Four Times That Night" and this film, "Hercules in the Haunted World." After watching his contribution to the peplum genre, I have to express further admiration for this amazing filmmaker; he could make an entertaining motion picture no matter what the subject.Bava's Hercules (played capably by Reg Park) must set out on yet another quest the results of which will have a profound effect on the residents of a Greek city. It seems that the female princess of this town is under some zombie like spell, completely unable to function beyond rambling and stumbling about. In her place, a sinister man named Lyco (Christopher Lee!) "generously" agrees to rule the city until Hercules and his buddy Theseus return from their mission. According to an oracle, Hercules must head into the depths of Hades--ruled over by the evil god Pluto--to secure a special stone that will restore the faculties of the young princess. Of course, our heroes must undertake several other minor tasks before marching into the world of the dead. In order to enter Hell, Hercules must first obtain a magical boat from some large guy who likes to draw and quarter people. Then Theseus and Hercules must sail the boat to the Hesperides, a bleak land beyond the sun where a bevy of beautiful women banished by the gods live. Once they arrive here, one of the men must climb an enormous tree in order to procure a golden apple that will allow them to enter and exit Hades safely. The underworld itself presents a host of problems, including oceans of fire, sexy but fatal mirages, and vines that groan and bleed when cut. Hercules surmounts all of the obstacles through a combination of brute strength and intelligence, arriving back at the city just in time to take on Lyco and some weird flying creatures. The final showdown is fierce, but will our man save the princess and restore the monarchy in time? Peplum films often rate high on the cheese scale. Bava's film is no exception, but (and this is a big but) "Hercules in the Haunted World" is an enormously entertaining and beautifully made film guaranteed to provide a good time. Sure, some of the miniatures looked schlocky. Sure, the comic relief sidekick Theseus and Hercules take along with them is more of an annoyance than a boon. Sure, Christopher Lee sports a funny Prince Valiant haircut and doesn't really do much. Yes, many scenes and characters in Bava's film possess a decidedly cheesy quality, but the movie succeeds wildly despite these flaws. Just check out the performances. I thought Reg Park made an excellent Hercules; the guy could actually act and really looks the part. Moreover, there are more babes in this film than I remember seeing in 1950s and 1960s cheese flicks. The girl who plays Persephone, the woman Theseus rescues from Hades, looks eerily similar to a young Sophia Loren. In fact, all of the female roles have beautiful women in them, something I greatly appreciated when watching the film. If you don't want to waste time watching the actors and actresses (dubbed, by the way, since the film was shot in Italian), you can appreciate how Bava overcame a tight budget to create a truly bizarre world. When Theseus, Hercules, and the sidekick sail across the ocean to the Hesperides, the horizon takes on a weird, almost psychedelic tone of red, yellow, and black that is very well done. Just as neat is the desolate landscapes of Hades, a world of smoke, styrofoam rocks, and lava pits that swallow up the unwary. As Hercules and Theseus move through the blasted terrain of Pluto's domain, the camera often draws way back to show the two men from afar jumping off cliffs and climbing hand over hand on a vine rope. Again, it does look a bit cheesy, but it also works in an inexplicable way. The scenes where Hercules talks to the oracle and where he battles Lyco and his undead minions are, without doubt, simply wonderful to look at and stylish as all get out. "Hercules in the Haunted World" is a prime cut of peplum that even a non-fan of the genre can appreciate. I was surprised to see Franco Prosperi had a hand in making this film; he went on to worldwide fame as one of the co-creators of the notorious "Mondo Cane" series. I suspect, however, that Bava was primarily responsible for the technical brilliance of the movie. Thanks to Fantoma for bringing us the film in a beautifully restored DVD version with a trailer and stills as extras. Bava completists simply must pick up "Hercules in the Haunted World" as quickly as they can. Even non-fans would do well to invest an hour and a half of their time with this one; you're unlikely to see another peplum film as entertaining as this one.
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