Product Details

• Actors: Yul Brynner, Deborah Kerr, Rita Moreno, Martin Benson, Terry Saunders
• Directors: Walter Lang
• Writers: Ernest Lehman, Margaret Landon, Oscar Hammerstein II
• Producers: Charles Brackett, Darryl F. Zanuck
• Format: Closed-captioned, Color, HiFi Sound, NTSC
• Language: English, Thai
• Rating: G (General Audience)
• Number of tapes: 1
• Studio: 20th Century Fox
• VHS Release Date: December 7, 1992
• Run Time: 133 minutes
• Average Customer Review: 4.5 out of 5 stars  See all reviews (169 customer reviews)
• ASIN: 630176031X
• Amazon.com Sales Rank: #2,073 in Video (See Bestsellers in Video)

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  #10 in	Video > Musicals & Performing Arts > Musicals > Rodgers & Hammerstein
  #22 in	Video > Musicals & Performing Arts > Musicals > Romance
  #49 in	Video > Classics > Musicals

Editorial Reviews

Amazon.com essential video

The third Rodgers & Hammerstein Broadway hit to go before the cameras, The King and I boasts a career-making performance from Yul Brynner, repeating his stage triumph as the titular monarch and proving to moviegoers that bald can be beautiful. It's Brynner's proud king that provides the fulcrum to the plot, and it's Brynner himself, with his piercing gaze and graceful physicality, that demands our attention.

The story line, adapted from an earlier, nonmusical stage hit, follows widowed English teacher Anna Leonowens (Deborah Kerr) to her new posting as tutor to the Siamese king's formidable mob of children. The collision of East and West affords its winning mixture of drama and humor, and the warm friendship that grows between the king and the patrician teacher provides a poignant, unfulfilled romance between the two wary protagonists. Into this framework, the composers insert a superb score, echoing Asian motifs, as well as a bouquet of lovely songs including "Hello, Young Lovers," "Shall We Dance," and two ensemble pieces for Anna and the royal children ("Getting to Know You" and "I Whistle a Happy Tune") that suggest prototypes for Rodgers & Hammerstein's later hit, The Sound of Music.

For this 1956 production, 20th Century Fox lavished stereophonic sound, widescreen cinematography, intricate production design, and stunning sets. Technically, this newly mastered THX version is the best-looking and -sounding King yet to hit video. But, regardless of format, the glorious music is reason enough to hit "play." --Sam Sutherland

Amazon.com

The third Rodgers & Hammerstein Broadway hit to go before the cameras, The King and I boasts a career-making performance from Yul Brynner, repeating his stage triumph as the titular monarch and proving to moviegoers that bald can be beautiful. It's Brynner's proud king that provides the fulcrum to the plot, and it's Brynner himself, with his piercing gaze and graceful physicality, that demands our attention.

The story line, adapted from an earlier, nonmusical stage hit, follows widowed English teacher Anna Leonowens (Deborah Kerr) to her new posting as tutor to the Siamese king's formidable mob of children. The collision of East and West affords its winning mixture of drama and humor, and the warm friendship that grows between the king and the patrician teacher provides a poignant, unfulfilled romance between the two wary protagonists. Into this framework, the composers insert a superb score, echoing Asian motifs, as well as a bouquet of lovely songs including "Hello, Young Lovers," "Shall We Dance," and two ensemble pieces for Anna and the royal children ("Getting to Know You" and "I Whistle a Happy Tune") that suggest prototypes for Rodgers & Hammerstein's later hit, The Sound of Music.

For this 1956 production, 20th Century Fox lavished stereophonic sound, widescreen cinematography, intricate production design, and stunning sets. Technically, this newly mastered THX version is the best-looking and -sounding King yet to hit video, but in its full-frame, pan-and- scan version the formatting downsizes far too much of the splendor, losing some sharpness to the imagery. For viewing on all but the smallest screens, the widescreen edition is vastly superior. But, in either version, the glorious music is reason enough to hit "play." --Sam Sutherland

Customer Reviews

Most Helpful Customer Reviews

44 of 45 people found the following review helpful:

4.0 out of 5 stars Oh, no! Fox has made another R&H-blunder!, October 30, 2006

By	Lars Sandell (Sweden) - See all my reviews (REAL NAME)

This review is from: The King and I (50th Anniversary Edition) (DVD)

It's finally here! The so-called definitive version of this lovely classic has now been restored AGAIN from the surviving 55mm negative, and there is indeed cause for cheers. Yes, it is now finally anamorphic on DVD! And yes, it looks absolutely gorgeous! Better color, sharpness and contrast than the old DVD issued in 1999 - and that one still looks quite impressive thanks to THX, although sadly non-anamorphic. Even so, the new one looks superior and has lots more bonus material!
But now a sad warning: If you own the old DVD and want this beauty of a film in its complete roadshow version - keep it by all means! The new 50th Anniversary Edition lacks the Overture, the Intermission Music and the Exit Music!
Incredible! And all that lush music was available on the 1999 DVD! What goes on in the heads of the people in charge at Fox? After the fiasco with the Todd-AO "Oklahoma!" recently, Fox should very well know by now that fans of these Rodgers & Hammerstein-films are not likely to accept inferior and sloppy product. Here's a loud and clear boo aimed at Fox Home Video top brass from one fan! Get yourselves new jobs outside the entertainment industry and leave the DVD-business to smart film lovers who are also responsible professionals!

56 of 61 people found the following review helpful:

5.0 out of 5 stars One of the Greatest Musicals of All Time!, June 12, 2004

By	Robert J. Schneider (Tacoma, WA USA) - See all my reviews (REAL NAME)

This review is from: The King and I (DVD)

Rodgers and Hammerstein's THE KING AND I (1956) is a wonderous movie musical, an incredible adaption of the Broadway musical that premiered on stage in 1951 (and has been performed tens of thousands of times since). It tells a timeless story about tradition vs. modernity, Eastern vs. Western culture and men vs. women. This story was first written as the first-hand account of Anna Leonowens' experiences in Siam in the mid-19th Century, where she had been hired by King Mongkut to teach his many children, in his hopes to push Siam into the modern age. This account was first adapted for the big screen as ANNA AND THE KING OF SIAM (1946); unseen by me, it has been highly regarded in its own right, and starred Irene Dunne and Rex Harrison. THE KING AND I stars Deborah Kerr (last name pronounced "Carr") and Yul Brynner. Deborah Kerr completely embodies the strong-willed but emotionally fragile young widow Anna Leonowens; she makes Anna into a character with whom we identify and sympathize. We side with her in all disputes, from demanding that she be given her own house in which to stay as part of the original deal, to calling King Mongkut to task for enforcing double-standard sexual laws that were outdated and demeaning to women even at that time. As the equally strong-willed King Mongkut, Yul Brynner commands the screen in every scene he's in. You simply cannot look away. His King Mongkut is someone who wants to change Siam for the better, yet struggles to cling to many of the same traditions that he slowly begins to realize is partly responsible *for* holding Siam back. His heartbreak by film's end is emotionally gut-wrenching, and never fails to bring me to tears. The Russian-born, half-Mongolian Yul Brynner makes you believe he is a Siamese King; his performance is so brilliant that his transformation into this character appears to be almost effortless. And, of course, it won him a very well-deserved Oscar for Best Actor. Deborah Kerr gives a wide-ranged performance that spans all emotions throughout the course of this film. She was deservedly nominated for Best Actress, but unfortunately didn't win.

This film would have given us enough meat to chew on just in the complex relationship between our two principals alone. However, it is not content with just doing that for us. It gives us two spellbinding subplots, one of the forbidden love between Tuptim (a virtually unrecognizable Rita Moreno, in a truly marvelous performance) one of King Mongkut's many wives, and Lun Tha (Carlos Rivas), and the visit by the British Ambassador Sir John Hay (Alan Mowbray) whom King Mongkut wants to impress with how civilized he, and the Kingdom of Siam, is. Also, the "play within the play"; namely, the hypnotic Siamese theater performance of Harriet Beecher Stowe's epic American tale of oppression and cruelty UNCLE TOM'S CABIN, is just so incredible that words fail me as how else to describe it. Anna's young son Louis (Rex Thompson) provides us with an effective sounding-board onto whom Anna reveals the kind of feelings about the situation that she cannot express to the King.

Unfortunately, this or any other Western film treatment of this truly fascinating story continues to be banned in Thailand today, namely they feel that King Mongkut, whom I understand was one of their most beloved monarchs, is portrayed as a barbarian. I have two beefs with that sentiment: 1) King Mongkut is most decidedly *not* portrayed as a barbarian in this treatment (or in the 1999 non-musical ANNA AND THE KING, which is quite a brilliant film in its own right)---rather, he is shown to be a deeply conflicted man who agonizes at the prospect of losing centuries-old Siamese traditions, even as he expresses himself as one who wants to help his country modernize; 2) If they want to get the story right in their eyes, then where is the *Thai* version of the story?

Controversies aside, this is just a splendid, gorgeous film. It has great period costumes, in both Eastern and Western traditions. It has a huge, ornate set used for the Palace. It has great music ("Getting To Know You" and "Shall We Dance" are my two favorites). And it has incredible acting from all involved, especially Brynner, Kerr and Moreno (who should have been at least nominated for Best Supporting Actress for her sensitive and delicate protrayal of Tuptim). It is a joy to revisit every now & then. Parents, please do your children a favor and *keep them away* from the HORRENDOUS 1999 animated version, insultingly called THE KING AND I. That simpleminded, stereotype-laden, lamebrained version is a complete insult to anyone of decent intelligence. Just show your kids the 1956 original; it is the only version they will ever need to see!

MOST RECOMMENDED, AGES 6 & UP

32 of 34 people found the following review helpful:

5.0 out of 5 stars well worth the wait..., August 29, 2006

By	Byron Kolln (the corner where Broadway meets Hollywood) - See all my reviews (TOP 50 REVIEWER)

This review is from: The King and I (50th Anniversary Edition) (DVD)

This brand-new 50th Anniversary edition of THE KING AND I is a must for all fans of the timeless Rodgers and Hammerstein masterpiece. Widowed English schoolteacher Anna Leonowens (Deborah Kerr) travels to Siam after she is offered a position to tutor the children of the King (Yul Brynner). Once in Siam, Anna and the King clash on matters of politics, ethics and the heart...two very different individuals who manage to still find the very best in each other. This magical movie has never looked or sounded better, in a new DVD remaster. Audio commentary for the film is provided by Michael Portantiere and Richard Barrios.

This DVD has been available for a while in the UK and Australia, and will finally get a US release this November. Extra features will include the pilot episode of the "Anna and the King" TV series starring Samantha Eggar and Brynner (with optional commentary by Eggar); vintage performances from the "General Foods" Rodgers & Hammerstein TV tribute (Patricia Morison and Brynner). Several new featurettes and rare MovieTone news segments.