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268 of 283 people found the following review helpful:
5.0 out of 5 stars
Shows Robbie for exactly what he is - with wonderful music!, June 10, 2002
Rumor has it that at the debut screening of The Last Waltz in 1977, Ronnie Hawkins stood up at the end of the film and remarked sarcastically, "That was all right, but it sure could've used a few more shots of Robbie!" By now, any serious fan of the Band will be familiar with the antipathy between Robbie Robertson and some of his former comrades. A quarter-century later, this classic movie's disproportionate concentration on Robertson at the others' expense not only remains palpable, it's even more lopsided in the updated version. But for better or worse, that is a key part of the story of the Band; and in retrospect, the Last Waltz is surely an even more accurate documentary than Robertson had aimed for. More importantly, it captures one of the greatest concerts of the rock era.As Levon Helm relates in his rather bitter memoir "This Wheel's on Fire," the decision to disBand was Robertson's alone and the Last Waltz was a somewhat reluctant exercise on the part of the other four. This shows to varying degrees in the interviews which are dispersed throughout the concert footage: Robertson, who appears far more often than the others, looks animated and a bit rehearsed (although it's hard not to feel some animosity towards him if you've read Helm's book) while the others look tired or worse. (Helm's description of Richard Manuel as "looking like Che Guevara after the Bolivians got done with him" is all too close to the mark!) While unflattering to a degree, the interview scenes do speak volumes about what the music industry did to one of rock's all time greatest bands and the truth about the then-impending breakup. The Band did, after all, reunite sans Robertson as soon as they were legally able to use the name again without his blessing. The commentary itself is still interesting as well, particularly some of the saltier stories of life on the road in the early 1960s, a time too often thought of as rock's "innocent" years. But the music itself is still the most important part of the show by far. However uncomfortable things had become behind the scenes, these guys could still play like no other band before or since, and it's almost magical to watch them do so for the very last time. Given Helm's well-documented distaste for the whole project, it's remarkable how happy he looks during most of the performances, almost as if the bad blood disappeared during those last few hours while they were doing what they did best together. The late Rick Danko's showstopping solo performance of "Stage Fright" just might be the concert's most intense moment, which is perhaps just as it should be given the subject matter of that song and the reality behind the scenes. If there is any complaint to be made about the concert footage itself, it is that the guest performances by Hawkins, Bob Dylan, Neil Young, Eric Clapton, Joni Mitchell, Muddy Waters and Van Morrison featured here don't necessarily do justice to the full brilliance of that night. The complete soundtrack (which was only recently released legitimately, after years of bootlegging) reveals stunning performances that didn't make it into the movie, although Martin Scorcese claims in the retrospective documentary that this is only because he simply wasn't able to shoot satisfactory footage of some of them. Nonetheless, the performances that did make the cut are superb across the board. Even the wildly out of place Neil Diamond does a decent job with his one song of the evening, even if I was left grateful that it was only one song. Best of all, we're treated to dozens of unintentionally hilarious shots of Robertson singing with such emotion that the veins stand out on his neck - into a microphone which, as Helm gleefully recounted in his book, wasn't plugged in. (This was no accident; guitar genius though he was and is, Robertson's vocal abilities always paled in comparison to those of Helm, Danko and Manuel, who also delievers a number of touching performances here.) The new footage consists mostly of Scorcese and Robertson reminiscing about the making of the film; it's predictably self-congratulatory, but fairly informative. More interesting to me, though, are recollections spread throughout the show from a wide variety of people who were involved with the project in various ways, playable as voice-overs with any given part of the concert. After 25 years, these provide a perspective on the event and its meaning through the eyes of someone - or really, many someones - other than Robbie Robertson. Perhaps this was the original intent behind the movie. In any case, it should have been. The new perspectives and footage are an undeniably nice touch, but the music still stands alone, and it sounds better than ever. It all makes for a new and improved look at one of rock's all time great events.
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DVD ~ Rolling Stones
DVD ~ Bob Dylan
DVD ~ Joan Baez
~ The Band
~ The Band
