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Ah, those fun-loving Communists! In Ninotchka three Soviets make their way to Paris to sell off imperial jewels to raise money to buy tractors for the USSR. When Grand Duchess Swana (Ina Claire), former owner of the jewels, discovers what's happening, she deploys her lover Leon (Melvyn Douglas) to recover her gems. He starts a court proceeding while seducing the three bumbling Soviets with the luxuries of capitalistic life. The delay of the sale is noticed in Moscow, and Comrade Ninotchka (Greta Garbo) is dispatched to Paris to settle the matter. Soon after arrival, she meets Leon, who is charmed by her severe, uptight manner and her stunning beauty ("I love Russians! Comrade, I've been fascinated by your five-year plan for the last 15 years"), and he sets about wooing her, despite her disbelief in love (it's merely a "chemical reaction," she dourly informs him). Romance, jealousy, and capitalistic frivolity ensue.

When this film was released in 1939, it was advertised as "Garbo laughs," as it was her first and only comedy. The film, directed by Ernst Lubitsch, is amusing not only for its story line, but also for its dated look at early Communism (Ninotchka keeps a photo of a stern-looking Lenin by her bedside, although she feels uncomfortable doing so in a room that costs 2,000 francs a night, the price of a cow back home). The satirical image of the young Communist fighting against corrupt Western ways seems somewhat idealistic today but nonetheless provided levity during the shaky political times of the film's release. Viewers may be jarred by the casual "Heil Hitler" greeting of a couple at the train station, but overall this film holds up as one of Lubitsch's masterpieces and a lighter glimpse of the mysterious Garbo. --Jenny Brown

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Most Helpful Customer Reviews   29 of 30 people found the following review helpful: Fewer But Better Russians, August 25, 2001 By  El Kabong - See all my reviews This review is from: Ninotchka (1939) (VHS Tape) An expertly-played and presented comedy that continues to be dogged by detractors for the oddest reasons. Some feel NINOTCHKA suffers compared to Lubitsch's earlier work, finding it formulaic alongside 1933's TROUBLE IN PARADISE. (I hadn't known Lubitsch had been given 'do-what-thou-wilt' privileges from the Hays Office - I'd labored under the delusion he faced the same restrictions in content and tone every other moviemaker did in 1939.) Other nay-sayers decry the film's jabs at Soviet collectivism as 'dated' if not 'unenlightened'. (Huh? You mean show trials and forced starvation of kulaks were GOOD things that a truly witty screenplay would celebrate?) Still other kibitzers squawk over the casting, of all things! (While it IS fun to picture William Powell or Robert Montgomery in the role of Leon, the boulevardier, Melvyn Douglas was never better than he is here. If he has his spotty moments, it's in those scenes where he must swoon with ardor, reciting dialogue that rings a tad purple to the ear; it's quite possible Powell or Montgomery would have fared even worse reading those lines.) Okay, enough defensive posturing - now let's go to NINOTCHKA's numerous strengths. Garbo is magnificent; she has a real knack for comedy (her deadpan entrance is hilario