Product Details

• Actors: Charles Aznavour, Alan Badel, Candice Bergen, Thommy Berggren, Delia Boccardo
• Directors: Lewis Gilbert (II)
• Format: Black & White, Closed-captioned, Color, Dolby, NTSC
• Language: English
• Rating: R (Restricted)
• Number of tapes: 2
• Studio: Paramount
• VHS Release Date: January 1, 1998
• Run Time: 191 minutes
• Average Customer Review: 3.9 out of 5 stars  See all reviews (24 customer reviews)
• ASIN: 6302632935
• Amazon.com Sales Rank: #1,107 in Video (See Bestsellers in Video)

Editorial Reviews

Amazon.com

Despite the tumultuous events in this sleek, handsome 1970 adaptation of Harold Robbins' bestselling novel, The Adventurers is arresting entertainment from the constantly inventive director of the original Alfie, Lewis Gilbert. Smoldering Yugoslavian actor Bekim Fehmiu stars as Dax Xenos, son of a revolutionary hero in an unnamed South American nation. As a child (played by Loris Loddi), Dax witnessed the murder of his mother and sisters by government goons, and he helped insurgent leader Rojo (Alan Badel) execute those responsible. As Dax grows up, his destiny is inexorably tied to the fate of his country and the whims of an increasingly despotic Rojo. But before he realizes that, the hunky gadabout chases women and races in the streets of Rome, spends some time as a gigolo (romancing a wealthy, heartbreakingly sympathetic Olivia de Havilland), marries and separates from a lovely heiress (Candice Bergen), and becomes a pawn in a terrible plot by Rojo to consolidate his power. The outstanding cast in this nearly three-hour film includes Fernando Rey, Charles Aznavour, Leigh Taylor-Young, and Ernest Borgnine. Gilbert's production is endlessly imaginative and exciting. Long before crowd scenes in movies could be computer-generated, directors such as Gilbert really did have to assemble thousands of extras for moments as spectacular as the battle sequences in The Adventurers. --Tom Keogh

Customer Reviews

Most Helpful Customer Reviews

14 of 16 people found the following review helpful:

4.0 out of 5 stars It's Not That Bad, Really It's Not, July 11, 2001

By	Robert M. Khoury (Charlotte, NC) - See all my reviews (REAL NAME)

I caught this movie in theatres a couple of times when it was first released in 1970. It impressed me then and still does, for several reasons. First, it has a very good cast. And they are not completely wasted, only 75 percent wasted. Second, it has plenty of sex, violence, and the other human failings that make watching other people so much fun. Third, sure, it's overly ambitious, and falls well short of its grand intentions. But, it is a trip worth taking even if you know you're headed down a dead-end street. Don't listen to the so-called experts. This movie is one that is worth making up your own mind. I'm still enjoying this film some 30 years later, and I think you will, too.

10 of 11 people found the following review helpful:

3.0 out of 5 stars Great late 60's fashion and style, May 11, 1999

By A Customer

This movie was a bomb when it first came out and I can see why. BUT, for those who love late 60's retro-style you get almost three hours of it. The cool fashions, cars and beautiful people kept me interested. I mean it's no Gone With The Wind but for those of us who would have loved to be trust fund babies lounging around our daddy's villas hip deep in the 60's party scene, this movie is for you.

6 of 6 people found the following review helpful:

5.0 out of 5 stars People do not understand this movie - it is really quite good, August 31, 2005

By	Steve Stubbs (Texas (USA)) - See all my reviews (REAL NAME)

Most people who saw this movie did not understand it, and when it was first released in 1970 the sex and violence were so far over the top for the period that most critics couldn't see the top. The movie, like a lot of the actresses it featured, was topless. Today it is par for the course. The gorgeous photography, however, is far better than what one sees in most modern films.

The story is a roman a clef. The fictional South American country Corteguay is not either of its quasi-namesakes Paraguay or Uruguay but Colombia, where much of the principal photography was done. Dax Xenos is not really Dax Xenos but Porfirio Rubirosa, who was not from Corteguay or Colombia but the Dominican Republic, which is not a South American country but a Carribean country. (Harold Robbins admitted this, so there is no doubt.) Rubirosa was not the playboy son of a diplomat. He WAS a diplomat, who discovered early on that he could use his diplomatic skills to become a wealthy man by becoming a playboy and marrying wealthy women. The most engrossing fiction is based loosely on reality.

That said, what makes the movie work is its theme. In movies, the character who changes is the main character, regardless of what the billing says, and the only character in this movie who changes is Dax. He starts out a cynical playboy, out to charm his way into the beds and bank accounts of wealthy ladies, and ends up a saint, struggling valiantly to change the world for the better. Alas, for the world will not change, and protects its scumbag identity by killing the irritating Dax, so things can go on being as corrupt as ever. The theme is therefore that the world will not change and perhaps even cannot change. But individuals can. Whatever his failings in early life, before Dax is murdered he thoroughly redeems himself. There is hope, the author is saying, for the individual, but not for the larger context in which he lives. The story therefore combines hard nosed realism with a cautious optimism, and the result will win over the most cynical among us. I know because "the most cynical among us" is the way I would describe myself and the story makes sense to me.

If you understand this, the whole middle of the movie, which follows Dax and his friends as they acquire the wealth and power they need to fulfill their respective destinies, makes sense and is thoroughly enjoyable. This part of the film is necessary to make sense of the movie's ending, in which Dax confronts the corruption that has plagued his beleaguered homeland.

If there are sex and violence and drugs in the movie that is because there are sex and violence and drugs in the real world in which characters like this live. As one of the characters in the movie says, his people did not get to where they were by being philanthropists. He could have added that they did not get to where they were by being burdened with unnecessary impediments like scruples. Welcome to the world of the upper class.

Oh, yes, and the book is not better than the movie. The movie in this case is better than the book. Much better. The book needed an editor in the worst way. The movie had one. It is too long for some tastes, but it works well as home entertainment because you can watch as much as you want in one sitting. Then come back for more later. I have probably watched it twenty times. I will probably watch it twenty more.

The best movie by far made from a Robbins novel, only rivaled by The Betsy. Highly recommended.