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41 of 46 people found the following review helpful:
5.0 out of 5 stars
Perfect summer romance, January 4, 2001
Summertime pairs Hepburn with Italian hunk Rossano Brazzi in a delicious, sad, funny and ultimately very adult film about a Plain Jane who finds romance in Venice. Hepburn is a joy to watch here as she gets to show so many facets of her character. Jane Hudson is socially self-assured; she has a funny quip for every occasion and she's not afraid to speak her mind; she really is the quintessential American spinster of the early 20th century. She has a romantic side that longs for moonlight trysts in a gondola, dancing at midnight, and coffee and small-talk with her lover in a sidewalk café, but there's an element of prudishness which holds her back from a love affair with a married Venetian who assures her that he and his wife have an "understanding." Ultimately Jane recognizes that she's not likely to get her dream of love intact and that she'd be a fool not to take the one on offer, and she blossoms into the happy, loving, passionate woman she (and the viewer) always suspected she could be. Brazzi as Renato is earnest and handsome, and while he's no great shakes as an actor, he does persuade us. After all, we want to be persuaded, don't we? Just like Jane Hudson, we want to believe that even after half a lifetime of loneliness and disappointment, love is possible. There are some nice supporting roles here, particularly a young Darrin McGavin as a self-involved artist, and Mari Aldon as his trophy wife who isn't quite as dumb as she first seems. There are a few bits of business that seem forced, such as the loud, insensitive American tourists - perhaps this sort of characterization has become so clichéd that what was new in 1955 seems awkward and heavy-handed now - and Jane's friendship with a street urchin who cadges cigarettes from her. On the other hand, Isa Miranda gives a lovely, low-key performance as the owner of the pensione where Jane is staying. If Jane is the quintessential American spinster, then Signora Fiorina is the essence of a worldly European woman of "a certain age." Don't look for a syrupy, artificially happy ending here; Jane returns to her old life, her real life, if you will, in spite of the happiness she's known with Renato because she is a practical woman and this was, after all, just a summertime fling.
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