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Woody Allen was going through his off-screen scandal with Mia Farrow when
Manhattan Murder Mystery was produced, so Diane Keaton was brought in to fill the role intended for Farrow. The reunion of Keaton and Allen only improves this already enjoyable Allen comedy, since they're so comfortable with each other's neuroses that they're delightfully convincing as a married couple who suspect their neighbor of murdering his wife. Actually, it's Keaton who obsesses about the possible foul play; Woody just wants them to mind their own business. But pretty soon they've recruited their friends (Alan Alda, Anjelica Huston) as amateur sleuths, and the movie turns into a Nancy Drew mystery for sophisticated Manhattanites. With a typical abundance of Woody Allen witticism and some memorable comic suspense, this engaging throwback to vintage Hollywood mysteries is guaranteed to please even the most noncommittal Woody Allen fans, and the Allen-Keaton chemistry is, as always, a genuine pleasure.
--Jeff Shannon
From The New Yorker
Woody Allen's new picture is his lightest and most unabashedly frivolous feature since "Broadway Danny Rose," in 1984. All that the movie aspires to be is a speedy, bubbly screwball-comedy whodunit-something like a Bob Hope vehicle from the forties. It's pleasant enough, but Allen hasn't practiced the simple act of popular entertainment in quite a while, and he's rusty. The humor thins out as the movie goes along, because Allen tends to labor, and even to repeat, his gags. The main characters, Larry and Carol Lipton (Allen and Diane Keaton), suspect that their across-the-hall neighbor has killed his wife, and try to play detective. The modest message of the screenplay (by Allen and Marshall Brickman) is that Larry and Carol's cozy, boring middle-aged marriage is somehow enriched, perhaps even saved, by the danger and excitement of their amateur investigation. You could call the movie a comic version of "Rear Window" if it weren't for the inconvenient fact that "Rear Window" is a much funnier picture. Also with Alan Alda, Anjelica Huston, Jerry Adler, and Lynn Cohen. -Terrence Rafferty
Copyright © 2006
The New Yorker