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Jeremy Irons gives another superb and underrated performance in
M Butterfly, an elegant adaptation of the Broadway hit by playwright David Henry Hwang. Irons plays a French diplomat in China in 1964 who falls in love with a star of the Beijing Opera, not realizing that the entrancing performer holds secrets that will ruin his life--that the singer is a spy for the Communist government is only the beginning of the diplomat's troubles. Though
M Butterfly may seem like a departure for director David Cronenberg (best known for horror and science fiction flicks like
The Fly and
Scanners), the themes of desire and self-deception fit comfortably into his oeuvre, alongside his adaptations of difficult novels like
Naked Lunch and
Crash.
M Butterfly, like the more popular movie
The Crying Game, is a cunning examination of love and denial. Also featuring John Lone (
The Last Emperor).
--Bret Fetzer
From The New Yorker
David Cronenberg's movie version of the acclaimed play by David Henry Hwang strips the work of its Brechtian theatricality and its heavily sarcastic (and politically correct) one-liners, but what's left after all this prudent streamlining still doesn't add up to much. The main characters are René Gallimard (Jeremy Irons), a French diplomat posted to China, and Song Liling (John Lone), a Beijing Opera actor who impersonates a woman in real life as well as on the stage; in a nearly twenty-year affair with Song, Gallimard never figures out that his lover is a man. For Hwang, this absurd romance is more than a hilarious illustration of the axiom that love is blind (or, in this case, utterly insensate); it's emblematic of imperialistic Western attitudes toward the East and of men's desire for submissive women. Cronenberg's dispirited treatment of the material has the effect of exposing it, inadvertently, for what it really is: not a pure, incandescent work of art but an extremely ordinary piece of agitprop drama. Also with Barbara Sukowa and Ian Richardson. -Terrence Rafferty
Copyright © 2006
The New Yorker