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In many ways
Little Buddha is a companion piece to Bernardo Bertolucci's
The Last Emperor. A beautiful travelogue and history lesson unfolds in the two parts of this film: a historical text of Siddhartha (Keanu Reeves) and the contemporary quest of Lama Norbu (Ying Ruocheng), who believes he has found the reincarnation of his former teacher in a Seattle child. The ancient, magical tales sweep away the blasé contemporary action. Ruocheng's presence drives the story of discovery as the child learns about the teachings of Buddhism. A visual feast that will dazzle both young and old. In fact, were it not a religious icon, the youngsters might want Siddhartha dolls after viewing his magical on-screen adventures. Beautiful cinematography by Vittorio Storaro.
--Doug Thomas
From The New Yorker
How the director of "The Conformist," which looks better and sharper every year, ended up making "Little Buddha," which already looks out of date, is anybody's guess. In the late sixties, Bernardo Bertolucci might have got away with this kind of thing-this gentle, wondering, trippy slice of nonsense. Now it just makes you squirm. Bridget Fonda and Chris Isaak play the parents of a young boy who may be the reincarnation of a Tibetan lama. The film therefore splits between their home town of Seattle (gray and blue, glass and steel) and the mountain stronghold of the Buddhist monks (red and orange, silk and wood). This design pattern is the backbone of the picture; there really is nothing else to it. Photographed by Vittorio Storaro, everything looks immaculate; but Bertolucci used to fill his rooms and landscapes with meaning-with political menace and dark sexual intent. Here he is offering empty chambers, dry as dust. The only fun comes in the historical flashbacks to the story of Buddha, played by Keanu Reeves, stripped to the waist: the spiritual leader as supermodel. -Anthony Lane
Copyright © 2006
The New Yorker