Amazon.com essential video
Edward D. Wood Jr. was an actor writer-director-producer, occasionally in drag, who combined meager bursts of talent with an undying optimism to create some of the most bizarrely memorable "B" movies to ever come out of Tinseltown. Though Wood died in obscurity as an alcoholic in 1978, his films have been considered cult classics for years. He is consistently voted the worst director who ever lived. You would think this an odd subject, but director Tim Burton harnesses the undying hopefulness that made Wood such a character. Shot in black and white, just like Wood's creations, this stylized, witty production captures the poetic absurdity of Wood's films and his unconventional life. Burton's recreation of Wood's wonderfully awful
Plan 9 from Outer Space looks much better than the original low-budget quickie. Burton tackled an extremely strange subject matter for a biopic, but Wood is presented as naive almost to the point of delusion, so the story works. The pace sags in the middle, as the weirdness starts to wear thin, but Depp proves himself an adroit actor, even while wearing angora and a blonde wig. Wood's unconventional repertoire company is faithfully reproduced, including an Academy Award-winning Martin Landau as Bela Lugosi. Landau is pathetic, droll, and charismatic as the elderly junkie who made his last screen appearances in Wood's films.
--Rochelle O'Gorman
From The New Yorker
Tim Burton's biography of the filmmaker who inflicted "Plan 9 from Outer Space" and "Glen or Glenda" on fifties moviegoers tries to persuade us that its hero is a sort of holy fool of cinema. The picture is superbly shot, in black-and-white, by Stefan Czapsky, and most of the actors-Bill Murray, Sarah Jessica Parker, Jeffrey Jones, and Martin Landau (as Bela Lugosi)-are engaging. But there's a strong whiff of pointlessness to the whole enterprise. Wood (played by Johnny Depp) is depicted as a wide-eyed, boyish innocent, and he simply isn't interesting enough to hold our full attention for two hours. His moviemaking fever doesn't feel like a mad passion; it's more like puppy love. Also with Patricia Arquette and Lisa Marie. Screenplay by Scott Alexander and Larry Karaszewski. -Terrence Rafferty
Copyright © 2006
The New Yorker