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As a depiction of the computer-hacker underground, this movie is bogus to the bone. As a thriller, it's cartoonish and conventional. The premise (computer-happy kids hack into the wrong system, and the Forces of Repression come after them) is recycled from John Badham's 1983
WarGames. And the corporate-creep bad guy, played by Fisher Stevens, steeples his fingers and growls mossy villainous clichés. ("By the time they realize the truth, we'll be long gone with all the money.") For all its postmodern trappings the movie is working with sub-prehistoric storytelling tools. But it does succeed on one level, as a movie about adolescent bonding and alienation. The director, Iain Softley, helmed the Beatles-in-Hamburg biopic
Backbeat, and he seems to have an instinct for the emotions that pull kids together around common interests and the insecurities that drive them apart. The familiar crises of loyalty and betrayal have an ache of real loneliness. It doesn't hurt that the two stars, Jonny Lee Miller (Sick Boy Williamson in
Trainspotting) and Angelina Jolie (
Gia), are just about equally gorgeous and charismatic; their longing glances steam up the screen.
--David Chute
From The New Yorker
This movie, about a group of Internet-surfing teen-agers who hack into a computer system and become targets of a terrorist conspiracy, moves like a good episode of a hip Fox TV show. The director, Iain Softley, is a lover of fast cuts, and he has done one of the neater jobs of incorporating video techniques and effects into a film. The design is impressive, the sensational techno score adds drive to the action, and the two gorgeous leads (Jonny Lee Miller and Angelina Jolie) smolder nicely. The story is negligible, but it offers the same order of fun as a good rock video: the marriage of images and music. -Bruce Diones
Copyright © 2006
The New Yorker