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The Hunchback of Notre Dame [VHS]
 
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The Hunchback of Notre Dame [VHS] (1939)

Starring: Charles Laughton, Maureen O'Hara Director: William Dieterle Rating: NR (Not Rated) Format: VHS Tape
4.6 out of 5 stars  See all reviews (44 customer reviews)


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Product Details


Editorial Reviews

Amazon.com

Of the many film versions of Victor Hugo's novel, this classic from Hollywood's golden year of 1939 remains the best, rivaled only by the 1923 silent version starring Lon Chaney. In his triumphant attempt to create a performance as memorable as Chaney's, Charles Laughton played the lovelorn Parisian hunchback Quasimodo under a disfiguring costume and gruesome makeup that rendered the actor almost unrecognizable. The result is a gripping and heartfelt portrayal of the misshapen bell ringer who falls desperately in love with the beautiful gypsy Esmeralda (played by Maureen O'Hara). The lavish production also greatly benefits from exquisitely moody black-and-white cinematography, brilliant medieval set design, and the atmospheric direction by German expatriate William Dieterle, whose style was heavily influenced by German films of the era. --Jeff Shannon

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44 Reviews
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 (8)
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Average Customer Review
4.6 out of 5 stars (44 customer reviews)
 
 
 
 
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23 of 25 people found the following review helpful:
5.0 out of 5 stars Laughton's "Hunchback" the overlooked film CLASSIC of 1939, March 5, 2001
By forrie (Nashua, NH United States) - See all my reviews
This review is from: The Hunchback of Notre Dame (DVD)
That's right! 1939 is considered the greatest year of Hollywood films. Gone With The Wind (color), The Wizard of Oz (color), Mr. Smith Goes to Washington, Stagecoach, Wuthering Heights and The Hunchback of Notre Dame to name a few.

With this competition and a horror theme "The Hunchback of Notre Dame" was lost in the shuffle.

In summary this masterful movie has been digitally restored and placed on DVD for superior picture & sound. Victor Hugo's "Hunchback" was perfectly cast with Charles Laughton as Quasimodo the deaf & disfigured bell ringer of Notre Dame. The beautiful Maureen O'Hara (US debut at 19)as the gypsy girl, Esmeralda. The villian Frollo (the Chief Justice of Paris) played expertly by Sir Cedric Hardwicke. The story, the sets and castings chemistry rival any of the before mentioned films of 1939.

To appreciate Hollywood's Golden Age and the acting talent which was at its Paramount watch and enjoy this greatest film Classic of Victor Hugo's "The Hunchback of Notre Dame (1939)".

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19 of 21 people found the following review helpful:
5.0 out of 5 stars Timeless, In Every Dimension, November 11, 2001
By Paul Frandano (Reston, Va. USA) - See all my reviews
(REAL NAME)   
This review is from: The Hunchback of Notre Dame (DVD)
Even granting my utter lack of objectivity in evaluating this Hunchback after knowing it for 45 years (during which I must have seen it close to 50 times, including two viewings in the past two weeks), it remains brilliant in every respect. Laughton's performance remains unmatched and the gold standard for Quasimodo interpreters. The 19-year-old Maureen O'Hara is as fresh and lovely and humane as in my earliest recollections. Sir Cedric Hardwick (an apt handle for the Jean Frollo character, no?) is a perfect, pinched-nostril'd villain. RKO's production values are second to none, and Joseph August's photography (coupled to Dieterle's film sensibility and scene framing, so touched by German cinematic impressionism) is absolute perfection. So too is the heralded Alfred Newman score, perhaps the finest marriage of musical phrase to filmed sequence to that point in film history--swellingly Wagnerian at emotional highpoints, but lean, linear, and distinctly 15th-16th century when period atmosphere is called for (listen for Tielmann Susato and other renaissance masters, skillfully woven in).

But, in the end, it's Laughton and Paris and the brilliantly recreated cathedral that stand at the picture's center. Unspeakably beautiful and, in the end, unbearably heartbreaking.

The DVD transfer, however, is something of a disappointment--only three stars for its quality, particularly in the first reel. But don't get me wrong--it's more than simply "watchable" and looks as good as anything else from the period you you might run across on TCM; it improves from the picture's middle third on, and the sound is fine. The DVD extras are extremely valuable for recounting many production details; indeed, what I had always thought to be spectacularly wrought matte shots were, I learned in the included production documentary, a 5-acre recreation of 15th century Paris, designed from old woodcuts and drawings. (The otherwise fine documentary sadly omits all mention of cinematographer August, who shot a number of pictures--Gunga Din, They Were Expendable, The Informer, The Devil and Daniel Webster--that are as often remembered for their distinctive "look" and as for their "film classic" status.) And the Maureen O'Hara interview, for those of us who grew up smitten with her, is a sheer delight--more than a half-century later and as flashing and beautiful as ever.

Film buffs make a big to-do over 1939 as "Hollywood's Greatest Year." Everyone else will agree once they get a load of the filmography of 1939 that's included here as an extra. It's just a list, but what a list.

Permesso...a biographical aside: Dieterle's Hunchback, which holds a special place in my heart for a variety of reasons, but especially because it led directly to twin additions: to books, and to movies. As a little boy, my love for this story story naturally led me to read my first adult "chapter book"--a 35 cent Bantam translation of the Hugo novel. I've been book-addicted ever since, transposing my library browsing to the adult stacks and leapfrogging the entire body of classic juvenile literature that I eventually wound up reading to my own children. And movie-addicted, too--also as a boy, I hunted down the Lon Chaney Hunchback in a NYC repertory film house, saw the (inferior) Tony Quinn version in the theater, and since have seen, I suppose, every subsequent remake. And I also saw almost all of those wonderful 1939 pictures, mostly on Million Dollar Movie, the old NY WOR program that showed a movie about 16 times a week (twice a week day and three times a day on weekends).

Generally, a movie held as dearly in memory as I have held this simply cannot doesn't sustain its recalled impact on re-viewing--it may seem dated, or trite, or visually uncompelling, emotionally vapid, saccharine, etc., to a contemporary film lover. But the Dieterle/Laughton Hunchback remains an indispensable film, here presented in an outstanding package, and at a bargain price.

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15 of 16 people found the following review helpful:
5.0 out of 5 stars A great actor for fundamental questions, March 25, 2002
This is the most popular piece of French literary folklore by Victor Hugo. The film is a fair adaptation of the novel. The core of it is a love story between a gipsy girl Esmeralda and a poet Gringoire. But it becomes intricate because this gipsy girl causes love in many hearts. First of all in the captain of the guard, Phoebus, then in the bellringer of Notre Dame Quasimodo, and most of all in the « prime minister » of Louis XI, King of France. This love story will get to a happy ending but due to causes and thanks to means that go beyond the simple love story. For one it is the invention of the printing press that changes many things. It enables Gringoire to publish a pamphlet that causes the people of Paris to intervene in a decision that the king is supposed to take, that the king is lobbied to take by the nobility in order to end the sanctuary right French churches had in those days. The people will support this sanctuary right and win : the king will listen to public opinion. The question is essential because this printing press brings a new circulation of information and hence a new power to the people. The second important question is that of justice which should be decided by common sense and not by torture or ordeals. Justice will be met in the end, but after a very tortuous process. Finally the question of using force to impose one's will, be it the force of the army for the nobles or the force of violence for the people is severely criticized as ineffective. It goes against common sense and common sense means information. This also means trust : to trust the common sense of the people and the common sense of the king. The film has another great interest in the acting of Charles Laughton who performs marvelously in his role of Quasimodo, a deaf hunchback who is absolutely ugly but has a heart of pure gold.

Dr Jacques COULARDEAU

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Most Recent Customer Reviews

5.0 out of 5 stars High and Low
I believe the most important thing about this film is how faithfuly it renders the genius of Victor Hugo - historical accuracy, flawless literary structure, and unique style. Read more
Published 6 months ago by Lucy Hurley

4.0 out of 5 stars The best remake.....
This version of the immortal story of the Notre Dame bell ringer is second only to the Chaney orginal. Read more
Published 7 months ago by Jeffrey Griffin

5.0 out of 5 stars The Hunchback of Notre Dame
Sure, it's early Hollywood - Maureen O'Hara's hair remains perfectly styled even after she is tortured - but the film remains for me as fresh and wonderful as when I first saw it... Read more
Published 12 months ago by Cameron Shaw

5.0 out of 5 stars Hunchback of Notre Dame
To anyone who has never seen this film: it holds up very well for a film from the late 1930s. The photography and acting are quite good. Read more
Published 14 months ago by William Linsley

5.0 out of 5 stars Better than the book...
The plot for this hunchback is the precursor of the Disney version, only darker. Charles Laughton brilliantly portrays Quasimado, in one of his best roles. Read more
Published 16 months ago by L. K. Grimwood

4.0 out of 5 stars Good movie
I never thought about it, but I guess 1939 was very good year for the movie industry. I've been meaning to watch this movie for like forever and I'm glad I finally did. Read more
Published 19 months ago by nodice

5.0 out of 5 stars Beauty and the lovestruck beast
This classic 1939 movie remains one of my favorites of all time. I first saw it at the age of 8-10 years on our old black and white TV. Read more
Published 19 months ago by M. Craig

5.0 out of 5 stars Hunchback Of Notre Dame - Charles Laughton
This is a classic epic that is so enjoyable to watch. It's been many years since I last saw this movie and watching it again makes me appreciate the vision and excellent acting of... Read more
Published 20 months ago by Doo Wop Dad

5.0 out of 5 stars A sad mirror on reality
So powerful is the story in this movie, I cannot watch it through Quasimodo's lament to a gargoyle ("Why was I not made of stone like thee? Read more
Published 22 months ago by David M. Fox

3.0 out of 5 stars Although the casting & acting ...
... are flawless, the sets superb, everybody remember Victor Hugo wrote a book, but not so many seem to remember the story he wrote, since a lot of the script (especially the... Read more
Published on September 11, 2007 by philrob

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