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Hot from the international triumph of
The Wrong Trousers, clay animator Nick Park knew that his third Wallace & Gromit film was going to have to be the biggest and best adventure yet for the mild-mannered inventor Wallace and his perceptive pooch Gromit. With the ambitiously zany plot of
A Close Shave, Park and his fellow animators rose to the occasion and their film won the 1995 Academy Award (Park's second Oscar) for Best Animated Short. This time out, Wallace & Gromit have teamed up to provide a window-washing service, and that's how Wallace meets the lovely Wendolene Ramsbottom, a wool-shop owner whose malevolent dog Preston turns out to be the mastermind of a sheep-napping scheme! Of course, no Wallace & Gromit adventure can be without a grandiose gadget, so Wallace's latest invention is the Knit-O-Matic, a yarn-making machine capable of shearing a whole flock of sheep just a bit too efficiently! When the villainous Preston gains control of the mechanical knitting marvel, Gromit must race to the rescue, and
A Close Shave reaches new heights of clay-animation mastery. Every shot is a testament to Nick Park's patience, his clever ingenuity, and his filmmaking flair. The movie's so technically impressive, in fact, that the whole world wondered where Park could go next. It was clear that Wallace & Gromit would eventually star in an animated feature-length movie, since this marvelous 30-minute film represents its own kind of short-form perfection.
--Jeff Shannon
From The New Yorker
The British animator Nick Park just keeps racking up Academy Awards; last month he won his third for "A Close Shave," the highlight of this seventy-seven-minute retrospective of work from the British Aardman Animation studio-probably the most fun in town. The Aardman artists employ plasticine models in stop-motion; there is something deadpan, even mournful, in their bendiness, and Park's inspiration is to play that homely tone against the frenzy of his plots. This time, Gromit, the smart dog, and Wallace, his well-meaning, slightly slow owner, set out to catch a sheep rustler. Entwined with this plot is a love story in which Wallace finds a soul mate. And the finale includes a wonderful mockery of the "Terminator" pictures. Park's 1989 Oscar winner, "Creature Comforts," is also on the bill. Brief, bright, unpretentious, and graced with the kind of immaculate gags that we associate with the slapstick of the nineteen-twenties, Park's movies have a style that you can recognize within half a second; can any of today's other filmmakers claim as much? -Anthony Lane
Copyright © 2006
The New Yorker