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Sweet Sweetback's Baadasssss Song [VHS]
 
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Sweet Sweetback's Baadasssss Song [VHS] (1971)

Starring: John Amos, Michael Augustus Rating: X (Mature Audiences Only) Format: VHS Tape
2.9 out of 5 stars  See all reviews (54 customer reviews)


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Product Details

  • Actors: John Amos, Michael Augustus, Simon Chuckster, Steve Cole, John Dullaghan
  • Format: Color, HiFi Sound, NTSC
  • Language: English
  • Rating: X (Mature Audiences Only)
  • Number of tapes: 1
  • Studio: Cinemation Industries
  • VHS Release Date: February 5, 2002
  • Run Time: 97 minutes
  • Average Customer Review: 2.9 out of 5 stars  See all reviews (54 customer reviews)
  • ASIN: 6304195397
  • Amazon.com Sales Rank: #24,460 in Video (See Bestsellers in Video)

    Popular in this category: (What's this?)

    #26 in  Video > Action & Adventure > Blaxploitation

Editorial Reviews

Amazon.com

Raw, jagged, and explosively angry, Sweet Sweetback's Baadasssss Song is a landmark in American independent cinema. Melvin Van Peebles directed, wrote, produced, edited, scored, and stars as Sweetback, a passive bouncer raised in a brothel. Shot guerrilla style on a starvation budget on the streets of Los Angeles, it's a violent tale of Sweetback's journey from passive acceptance to political awareness and active defiance. He becomes the target of a manhunt when he kills two cops who beat up a young black activist, and he bounces from hideout to hideout before running for the border, all the while getting more booty than Shaft and Superfly put together. The movie was so inflammatory by conservative industry standards that it was "Rated X by an All White Jury," which the ads proudly touted. The unusual mix of agitprop and exploitation is directed in a jagged style that recalls Godard and set to a funky score performed by Earth, Wind & Fire, which Van Peebles intercuts with chanting Greek chorus-like slogans. Released independently, it was a huge hit and effectively spawned the blaxploitation genre, but none of the films that followed ever recaptured the energy, the anger, and the social politics of this breakthrough in independent cinema. --Sean Axmaker

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Customer Reviews

54 Reviews
5 star:
 (15)
4 star:
 (7)
3 star:
 (10)
2 star:
 (3)
1 star:
 (19)
 
 
 
 
 
Average Customer Review
2.9 out of 5 stars (54 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
30 of 36 people found the following review helpful:
5.0 out of 5 stars Breaking the mold... literally ! , December 25, 2004
The most important thing to understand about this film is that if you're getting it just because you expect to live up the expectations of its genre... you better not... in fact, that was the debate over Sweetback for years : what was it ? the world's first blaxsploitation film or the world's first black social empowerment movie, a black porno flick or deep social satire ??? B-move trash or a brilliantly inspired art movie... - - The truth is, the strength and weakness of SWEETBACK is that its really all of this, but if you're expecting it to meet the mold of any one of these genre's you'll be disappointed... and that's part of the fun of the film... getting past the shock to see the message, and the message to dig the shock... and just riding along with Sweetback (EWF's soundtrack definitely makes that part easy !) With its gritty, funky tale and soundtrack, ample booty, controversial story no doubt that there's something in it to both appease and offend just about anyone that watches it... so the best thing to do is put it like this : SWEETBACK is a genre all of its own... just sit and watch it in suspended judgement and disbelief... watch it, again and again and again... Depending upon who you are you'll either find it tasty and addictive... or... well, revolting and disgusting... whatever... the fact is when you watch it there's one thing you won't come away seeing, "Man this film reminds me of a film I've seen 100 times before..." Nope... no one really did it before Peebles, and no one (despite all the films it inspired) did it after and that's why you should see it... but again... don't expect Shaft, Rudy Ray Moore or Superfly... that's not what the film is about... and whatever you do DO NOT WATCH IF EASILY OFFENDED... Now, on with the *****ing contest ! ! !
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19 of 24 people found the following review helpful:
4.0 out of 5 stars On the run from an all-white jury..., June 12, 2001
By Piers (Melbourne, Australia) - See all my reviews
In 1971, Melvin Van Peebles managed to get this little gem released by Cinemation Industries, a low-budget exploitation distributor and launched into theatres, consequently launching what would come to be known as Blaxpoitation at the same time. True, there were other black films before this one, but never one like it, and really, there never would be again.

Melvin van plays Sweetback, a professional stud who works live sex shows, who is picked up by the cops to help them look as though they are working on a murder case. But when, the cops stop to rough up a revolutionary, Sweetback suddenly develops revolutionary ideas of his own and beats up the cops with his own handcuffs and goes on the run. That's essentially it, and what may seem boring, dated, disgusting and/or silly to most people, was some radical stuff back in 71. [...] It's radical enough now, you ain't ever seen a film like this! During his travels, Sweetback encounters all kinds of opposition (cops, biker gangs, posses etc), sees all kinds of places in the ghetto (baptist churches, rat-infested tenements, and finally the dessert)and is subjected to all kinds of experimental film making (colour tints, subjective shots, weird angles, freeze-frames etc.)

What makes this film so different and exciting for me, is that having obviously been made with private money and many, many miles away froma studio, it can and does push the politics and revolutionary rhetoric right in your face and believe me it does! It is little wonder that Huey Newton (supposedly) made this required viewing for the Black Panther Party and that within a short time films like Shaft, Superfly and their clones were filling the cinemas on 42nd Street. Unlike the legions of films that followed this, which became more and more watered down copies of the central idea of this film (that a black man can take on his oppressors and actually win), this film is the REAL DEAL and power to van Peebles for having the guts and wherewithall to get his vision splashed across the screens.

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9 of 11 people found the following review helpful:
4.0 out of 5 stars Brilliant in spots! Questionable in others! Recommended!, October 15, 2004
By smoothjazzandmore (Clay, NY USA) - See all my reviews
I finally got the chance to see this movie in 1985 after Roger Ebert gave this a glowing review calling it a "groundbreaking" film for black filmmakers. Melvin Van Peebles basically captures what life was for Black Americans in the 1970's. The only thing I questioned was the use of a kid in the opening scene (Later identified as his son, Mario). Because of the low budget, I highly doubt that you can find a better print to transfer over to DVD. Take it for what it is. It's still a very good movie.
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Most Recent Customer Reviews

1.0 out of 5 stars Agreed One Disgusting and Degrading Film.
This movie has to be the worst of the Genre, there is no point to it, its disgusting and revolting, it's like a really bad porno, he does this disgusting chubby white girl in the... Read more
Published 5 months ago by Jose Lopez

1.0 out of 5 stars Disgusting, this is nothing but one long Porno/Running marathon.

The entire movie has no point, and certainly no purpose. What ever "Black Power" message this film was trying to make is lost. Read more
Published 7 months ago by maskedgamer

1.0 out of 5 stars Grade Z home made exploitation-groundbreaking MYAAAASS
I agree with the other ONE STAR raters of this "film"--Whatever it's intent, cultural timing or underground anti-establishment accolades--the film is TERRIBLE--Terrible in EVERY... Read more
Published 10 months ago by EPshots@yahoo.com

2.0 out of 5 stars weid movie
I only watch this movie because I love everything about the 70's, but this movie is not that good to me.
Published 11 months ago by E. robinson

5.0 out of 5 stars The Quintessential Independent Blaxplotation Film Of All Time!!!
I know this film has been trashed by critics both black and white for its heavy content (i.e. stautory rape scene, and interracial sex scene), but this film was given an X rating... Read more
Published 13 months ago by Kyle Ben-David

1.0 out of 5 stars Umm...what can I say?
Ahh..., I don't know why this movie was ever made. It perpetuates the whole stereotype of "The Man," yet offers no solution or remedy. I applaude Mr. Read more
Published 17 months ago by MzMack

3.0 out of 5 stars Well.....
I think the first scene could have been left out; by today's legal standards, someone would go to jail in a heartbeat. By the 1995 law, this would be a felonious offense. Read more
Published 20 months ago by B. Clardy

3.0 out of 5 stars Good movie
One of the better 1970s action movies. Lots of nudity and bad language. Overall, I liked it but there could of been more plot development. Read more
Published on July 16, 2007 by 32434

5.0 out of 5 stars And so it begins.....
This movie might be unreal for some but blaxploitation was born due to the help of "the Black Community" who were all tired of the "Man" holding them down. Read more
Published on April 20, 2007 by Jenny J.J.I.

4.0 out of 5 stars The best, most artistic blaxploitation film ever made...
I've always liked this film. The plot is extremely simple. A black stud gets taken downtown, but they pick up a black activist along the way. Read more
Published on December 20, 2006 by Grigory's Girl

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