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One of the most invigorating period adventures to hit the big screen in decades, this lavish, brilliantly directed film drew critical and audience raves when it was released in 1995. Inspired by historical fact and larger-than-life legend, the intelligently scripted story takes place in Scotland in 1713, when Highland farmer and clan leader Rob Roy MacGregor (Liam Neeson) is forced to borrow money from the duplicitous aristocrat Marquis of Montrose (John Hurt) to help his clan survive a harsh winter. When Montrose's vile henchman (Tim Roth) schemes to dishonor MacGregor and his wife (Jessica Lange) and take the money for himself, the rugged Highlander must take courageous action to preserve his integrity. What follows--along with some of the finest sword-fighting ever filmed--is a tale of courage and valor destined to become an enduring movie classic. Tim Roth received a well-deserved Oscar nomination (for Best Supporting Actor) for his indelible performance as the foppish but deadly villain Cunningham, and both Neeson and Lange bring an earthy, sensual quality to their passionate roles. Boasting a wealth of breathtaking scenery and high-intensity action,
Rob Roy is further blessed by a splendid supporting cast (including Brian Cox and Eric Stoltz), and the lush soundtrack by Carter Burwell strikes a perfect balance of romanticism and vigorous dramatic energy.
--Jeff Shannon
From The New Yorker
Michael Canton-Jones's film about the eighteenth-century Scottish outlaw Robert MacGregor uneasily straddles the line between swashbuckler and prestige picture. In Alan Sharp's screenplay, Rob (Liam Neeson) is a rugged, principled man at war with artful English fops (Tim Roth and John Hurt). This should make for rousing spectacle, but somehow it doesn't. With Jessica Lange as the hero's loyal wife, the picture is actually more effective as a conjugal-love story than as a ripping yarn. Although it's an agreeable movie, Caton-Jones's direction is too discreet-too civilized-to stir the viewer's blood. Even the glorious Highlands setting is disappointing; the cinematographer, Karl Walter Lindenlaub, gives the landscapes a subdued, overcast look. The film's heart is in the right place, but its eye isn't. -Terrence Rafferty
Copyright © 2006
The New Yorker