Product Details

• Actors: Edward G. Robinson, Douglas Fairbanks Jr., Glenda Farrell, William Collier Jr., Sidney Blackmer
• Directors: Mervyn LeRoy
• Writers: Darryl F. Zanuck, Francis Edward Faragoh, Robert Lord, Robert N. Lee, W.R. Burnett
• Producers: Darryl F. Zanuck, Hal B. Wallis
• Format: Black & White, Closed-captioned, Digital Video Transfer, HiFi Sound, NTSC
• Language: English
• Rating: NR (Not Rated)
• Number of tapes: 1
• Studio: MGM (Warner)
• VHS Release Date: May 13, 1997
• Run Time: 79 minutes
• Average Customer Review: 3.5 out of 5 stars See all reviews (11 customer reviews)
• ASIN: 6304429207
• Amazon.com Sales Rank: #582 in Video (See Bestsellers in Video)

  Popular in these categories: (What's this?)

  #1 in	Video > Mystery & Suspense > Crime > Gangsters
  #15 in	Video > Action & Adventure > Classics
  #24 in	Video > Classics > Drama

Editorial Reviews

Amazon.com
Edward G. Robinson had a star-making vehicle in this 1930 film by Mervyn LeRoy (Random Harvest), about a small-time gangster who becomes a top boss in the underworld. As Rico Bandello, Robinson's portrayal is that of a certain kind of American success, when a successful rise to the top somehow throws open the doors on every neurotic element in one's personality and magnifies them. The film is creaky as early sound films were wont to be, but the actor's multidimensional role and ugly charisma keep everything interesting. --Tom Keogh

Customer Reviews

Most Helpful Customer Reviews

12 of 12 people found the following review helpful:

4.0 out of 5 stars Little Caesar: Little in Height Only, January 26, 2003

By	Martin Asiner (jersey city, nj United States) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

It is too easy to view LITTLE CAESAR and to laugh at the often caricatured voice of Edward G. Robinson as the small time hood who clawed a rapid rise to the top of Chicago's underworld only to tumble equally fast. What the modern viewer may fail to grasp is that when LITTLE CAESAR was released in 1930 Robinson was no star and the gangster movie did not exist as a genre. With his menacing voice and tough guy attitude, Robinson changed all that. It is because of him that later cinema gangsters like Pacino and Brando could strut their stuff.

At the beginning of the film, Robinson is Rico Bandello, the 'Little Caesar.' He drifts into Chicago and invites himself as a member of the ruling gang. Even then, with nothing but his gravitas and physical presence, he could take words that were meant to be conciliating and twist them into a snarl laden with menace. What I found interesting was that whenever Robinson went face to face with an adversary, Robinson forced him to look down at his own diminutive height as if to say, 'Your size means nothing, fool.' It becomes soon clear that the mob boss will surrender his place through default. Rico Bandello manages to cram into little more than an hour a case study in the ephemerality of the solitary gangster who relies more on his brutal personality than on some hired brains to run his criminal enterprise.

On a technical note, the sound track was at times incomprehensible, an excusable flaw since sound engineering had just begun the year before. Further, the dialogue sounds incredibly cliched, but again, to the audience of 1930, Rico's words were jarringly original. When a gasping, dying, Little Caesar spits out as a last snarl of defiance, 'Is this the end of Rico?', Edward G. could not have known that his ending of this gangster film was but the prologue of a series of crime movies that are as popular today as when Rico Bandello lay on a filthy street, shocking America with his surprisingly emotional epitaph.

10 of 11 people found the following review helpful:

4.0 out of 5 stars No, it's not about pizza, November 9, 2001

By	Gwen Kramer "gwenhwyvar" (Tehachapi, CA United States) - See all my reviews

I had never seen a golden age gangster picture before so I decided to make a start with this one. I mainly rented it to see Douglas Fairbanks jr. (being a fan of Fairbanks Sr.'s silent films) I thoroughly enjoyed it.

A word of warning, this was made in 1930 and the sound cinema was still in it's infancy. Some of the acting is still between the mnore obvious emoting of silent cinema and the more subtle sound acting to come. Also, this was the start of a genre and so it is probably not as sleek as its successors.

That out of the way, this is the tale of the rise and fall of Rico (Edward G. Robinson) known as Little Caesar. A small time gunman who claws his way to the top of the mob and then tumbles from his throne. His downfall is caused, inadvertantly at first, by Joe (Fairbaks), his best friend from his small time hood days who became a nightclub preformer and wants to leave the mob behind.

Robinson chews up scenery as Rico and it is a joy to watch, in spite of sharing top billing, Fairbanks isn't in it all that much in the middle. Honorable mention goes to the actor who portrayed the head detective so well, he seemed to take almost satanic glee in catching crooks in their own egos.

Another sidepoint, Rico is not likable because he was never meant to be. Sure, his determination is interesting but underneath it all he is just a petty operator. This movie really has no hero (Joe is a bit weak and the detective is off his rocker in my opinion) and to have this in mind before watching will keep things enjoyable.

4 of 4 people found the following review helpful:

5.0 out of 5 stars 193O GANGSTER EPIC., November 11, 2002

By	"scotsladdie" (GLENDALE, CALIFORNIA) - See all my reviews (TOP 500 REVIEWER)

The rise and fall of a vicious gangster. This is the landmark film that launched the gangster movie cycle, a powerful movie that chronicled for the first time in talkies the sleazy and slick underworld, epitomised by a snarling and ambitious creature with no redeeming virtues, Robinson, in the role which was forever identified with him. Eddie is a dedicated killer and thief as seen from the very beginning of the film: viewing him over 6O years later, the viewer can't help but to wonder at his incredibly perceptive performance. Rico has a pseudo homosexual relationship with Joe Massara (Douglas Fairbanks, Jr.) and the scene where Rico pays an old harridan (Lucille LaVerne) practically his entire fortune to hide him out in a secret back room of her store is memorable: boy, does she take advantage of the situation! The ending line was originally "Mother of God, is this the end of Rico?" In order to soften the tone for American Bible belt audiences, the line was changed to "Mother of mercy". The film was a huge smash in it's day and films such as THE PUBLIC ENEMY, SMART MONEY, THE FINGER POINTS & SCARFACE were soon to follow.